Friday, September 13, 2019

Monday, August 09, 2010 8/9/2010 4:24:54 PM The Blockkk is Hot Volume 1, Episode 1: Running from the Police

Monday, August 09, 2010 8/9/2010 4:24:54 PM The Blockkk is Hot Volume 1, Episode 1: Running from the Police

FADE IN

3 African American teenage males are being pulled over for a “routine” traffic stop. The on duty officers are white of course. The responding officer calls in for backup to even out the citizen to police officer ratio. 2 more police squad cars arrive on the scene. An officer from the 2nd squad car walks slowly to the left side, watching the back seat passenger. The 1st officer runs the vehicle’s license plate for warrants and or tickets. The initial police officer finally gets out of his car and walks over to the driver of the vehicle. The 1st officer asks the driver for his driver’s license, registration and proof of insurance. The driver is extremely nervous but nonetheless he complies. The officer receives the information and walks back over to his squad car. The officer from the 3rd car walks over to the 1st officer’s car door. They both engage in conversation over what they are allowed to do with the “suspects”.  The three African American males observe their environment and notice the 2nd police officer watching over them. Suddenly a van carrying 6, including the driver, African American adult males armed with specialized weapons notices the scene. They pull over on
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the opposite side of the road several hundred feet away from the “traffic” stop. They drop off 2 passengers, each armed with a high powered sniper rifle to “spot” them. The other 4 passengers viciously load, cock and aim their submachine guns towards the “innocent” police officers. The 2 snipers each aim at their respective officer’s head and fire. This leaves 2 of the 3 officers down and fatally injured.  The African American teenage male located in the backseat is the first to notice the 2nd officer as he falls to the ground. Blood is sprayed on the window and in his view. The 2nd officer is hit by the 2nd sniper and his accurate hollow point bullet. This scares the 1st officer shit-less because he is closest to the 2nd officer and is now the only one left alive. The van full of single purpose driven cop killers is now side by side the 1st squad car and the 3 armed passengers already have their door open. These same gunmen riddle the officer with one round of semi automatic bullets. The officer is not able to return fire quickly enough and thus never stood a chance.  While this is going on, the 3 African American teenage males are jumping in their seats. They then all duck down because they have no idea what is going on. They realize the police officers are under fire but they don’t know from who, why, and if they themselves are also targets.  They are obviously not because if they were, they too would be slumped in their vehicle as well. The 3 armed passengers leave their sub machine guns in the van, only take 1 silenced pistol and one 9mm with them as they exit the van. The cop killers pull the 1st police officer’s dead corpse from “his” squad car and lay him on the 2nd officer in an assumed homosexual position as a joke. Each cop killer relocates into a squad car and prepares to drive off. Right at this moment another squad car is seen driving down the road at a calm pace. The new squad car slows down to investigate the interesting scene. The gunman in the bloodiest squad car cocks and aims both his pistols at the new squad car as a defensive tactic. It is now revealed the driver of the investigating squad car is JARVIS, the 2nd in command of this “elite” and
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“exquisitely prepared operation”. JARVIS rolls down the window and smiles at his soldiers. He tells the soldiers to “keep up the outstanding progress” and drives off as he turns on the police car sirens and flashing lights. The 1st gunman walks over to the teenager’s car and returns his driver license. He tells the driver he is free to go, his license is clean and hands him a brochure to attend a meeting based on what they just witnessed here. As the 3 gunmen drive off calmly in all different directions the camera freezes and the title credits roll. The “Tyga Tyga song La La La Boom” song plays as the credits play out.  Once the credits finish we cut to JARVIS meditating silently and alone in his bedroom closet. We observe him taking his 1st 5 deep inhalations and exhalations. We cut to JARVIS in his high school cafeteria in the 11th grade. JARVIS is sitting at a table filled with people chattering about him, about others, to him and to others. He is bored of this and gets up to throw away his empty food tray. He tells his table he will meet them after school lets out as he heads to the library. JARVIS heads into the school library and gives the librarian his school identification. He observes a class sitting with their teacher at the middle of the library receiving a lecture of some sort. He walks over to the student computer area and takes a seat. He logs into his account and pulls up internet explorer 8. He googles afro centricity and is taken to www.thetalkingdrum.com.  The talking drum website is full of an abundance of detailed information regarding America’s race relations “policies”. He clicks on a tab titled “Cointelpro” identifying what Cointelpro really is. He reads on Cointelpro until the lunch bell rings 15minutes later. He has 25 pages left and he prints out 5 pages on Cointelpro and exits the library after picking up his heaven sent information. He walks into his class and as he enters the room, the camera doesn’t follow him in. We cut back to JARVIS meditating in his closet. We see JARVIS taking 5 more breaths before we cut to him giving an arousing speech at a nearby youth center in a NYC neighborhood.  JARVIS
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WE SHALL NEVER AGAIN BE NEUTRALIZED…WE SHALL INSTEAD SHOOT UNTIL WE DIE!!! We cut back to JARVIS meditating. JARVIS stands up, puts a shirt on and exits the closet. He has his loaded shotgun strapped around his back safely to avoid shooting himself. He sits at his study desk and draws out the final blueprints of his latest plans. On top his bookshelf, away from the other books are 2 books on police dispatching systems and 1 book on proper grenade usage and handling.  We cut to a group of armed soldiers exiting a black “cable company” van. 4 African American males pull ghostface masks over their faces, load their automatic rifles and with heavy determination enter a doomed police precinct. There are 4 men on the “bad side”: CARLOS, JOSE, ALEX and DANIEL. CARLOS is the commanding officer of this particular squad and enters the building with DANIEL by his side. They both waste no time in firing upon the innocent and ignorant police officers.  They really have little time to execute their plans due to the visibility of their artillery and their face masks. CARLOS shoots 3 cops in the face, neck and back, back to back to back. DANIEL takes out 2 more officers with his rifle while ALEX throws a smoke grenade over DANIEL’s shoulder. JOSE equips himself to ALEX’s right side and throws an armed war grenade into the hallway of the police station. Just as the upstairs officers head downstairs with their game face on, they are blown away “right on time”.  As the smoke fills up the room, all 4 assailants release heavy fire upon the hidden police officers even more. They hear more screams from the cops and are now unsure how many more they have killed. They all head outside of the police station through the front door. CARLOS radios the driver, JARVIS, to return and pick them up. As JARVIS pulls up, they all notice back up police officer squad cars stopping on the corner to “engage” them in battle.  Just then, JARVIS jumps out of the vehicle, mask on his face, grenade launcher in hand and aims steadily at the cop cars. He successfully blows them all up. The explosion knocks everyone except JARVIS to the ground. They all get up, get inside the van and drive off. JARVIS is happier at this outcome than one may expect or be able to stomach. 
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We now cut to a black screen reading: “Chapter 1, Laying Plans”. Cut to JARVIS standing at the head of a table with a room full of warriors listening to his every word. He explains the process of war, “it is an art”.

We cut to JARVIS and CARLOS walking in front of a different police station with land mines in their hands. They kneel down together and each plant 5 mines in a line as a trap. They then both throw 3 smoke grenades and 2 war grenades into the police station. They both walk away calmly to the corner where ALEX is waiting in the van. 

As they open the van door, the 4 grenades blow up and 2 dead officers are blasted into the empty street. As they close the van door they notice the smoke exiting the building and 5 officers run out of the building in fear and curiosity. All 5 of these oblivious officers activate a separate land mine and are effectively terminated in the blast. The van drives off away from the “unwarranted chaos”. JARVIS is still seen laughing uncontrollably or giggling like a giddy little school girl, whichever feels best.  We cut back to JARVIS’ lesson plans. 

We cut to JARVIS speaking to an African American militant sniper about an upcoming battle. 3 police cruisers responding to an “emergency call” park on the block. JARVIS asks the sniper, SUNNY, if he is ready and SUNNY responds in the affirmative. JARVIS walks down the stairs as he polishes his left oozy. He puts it in his left gun shoulder strap and then pulls out his right oozy. He tells himself “One at a time JARVIS, just one at a time. All things come to those who act as if and who believe in CHRIST.” 

JARVIS walks through bushes taller than him quietly enough to position himself right next to an unsuspecting officer. The officer’s partner notices the oozy barrel sticking out of the bush and right when he opens his mouth; BOOM! The sniper’s 1st kill assisted JARVIS’ 1st kill. As the 1st officer investigates his partner’s body, JARVIS guns him down with the oozy. Since 2 officers have been gunned down, the remaining 4 officers call in for back up as they are engaged in heavy gunfire.

Now they realize it is a horrible set up by armed
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citizens. JARVIS shoots the windshield to pieces while SUNNY shoots down one more officer. This leaves 2 more and JARVIS precisely pitches an armed grenade into the squad car. SUNNY the sniper takes out the last squad car with a rocket launcher. (This is designed to make the audience laugh due to dramatic irony; neither JARVIS nor the cops know a rocket launcher has entered the equation). JARVIS is blown 5 feet away from the site. The scene freezes and cuts back to JARVIS and his lesson plans. 

We cut to JARVIS and ALEX driving in the by now so recognizable van, not to the police but to the audience. They park the car 50 yards away from a police officer occupied with giving someone a ticket. JARVIS exits the van, loads up his favorite pink sniper rifle, aims it at the officer’s head and positions himself. 

Just in case the officer has a partner in the passenger side ALEX loads his sniper rifle, aims it where the passenger would exit the vehicle and alerts JARVIS of his readiness. JARVIS executes the cop and as the bullet exits the chamber, the camera zooms out, pans over to the cop’s perspective and the officer then falls to the ground.  We cut back to JARVIS’ lesson plans. 

JARVIS Always remember lack of planning brings about defeat.

We cut to a high school lecture given by a retiring police officer dated 2 weeks before the 1st attack on the police forces officially commenced. 20 students enter into their criminal justice 2nd period one after the other. As they position themselves into their seats, their teacher, Mr. BRADLEY, announces the day’s special guest. Officer O’Charley begins his lecture. A student, DESTIN, asks the officer a question about his utility belt. Officer O’Charley answers DESTIN’s question. 

We cut to a masked gunman brandishing a double barreled shotgun. He is walking behind an unsuspecting police officer giving a traffic ticket on the side of the road. The criminal shoots the officer in the head and neck twice in rapid succession, as it should be. He then steals the officer’s car and drives off calmly. 

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We cut back to Officer O’Charley’s school lesson. He is explaining the obvious usefulness of his handcuffs. We cut to 2 officers responding to an “emergency call” at a local residence. A white couple is arguing outside at each other with a bat and a machete in their hands. The police officers exit the car and immediately brandish their trusty firearms. 

They ask the couple to put their weapons away and step over to the vehicle. 2 masked white men in all black clothing ambush the bitch ass police officers. The 1st white man, TJ, shoots the 1st cop in the neck with a tranq gun. As the next officer turns around to investigate and then shoot, the other white man DARWIN guts him like a fish with his freshly sharpened Katana. 

TJ walks over to the “sleeping” officer and handcuffs him with his own handcuffs. DARWIN ties a black bag over his head, ties a rope around his neck extra tight and he and TJ lift the officers one by one back into their cars. TJ and DARWIN get in the squad car, drive it to the corner and park it sideways; blocking the road off partially. As they exit the car they each arm 2 grenades, leave them in the car and walk back down to the crime scene as the car explodes. The explosion serves as the transition to the next scene. 

We see Officer O’Charley answering a question from student ADAM WAGNER concerning his upcoming retirement. Officer O’Charley informs ADAM of his gut feeling to leave the force. He feels something horrible is being plotted by “horrible” people. He then goes on to say he could just be “horribly wrong.”  We cut to JARVIS, once again laying out the “business plans”. We cut to 5 police officers inside a police precinct discussing recent arrests. Their names are STEVEN, NICOLAS, JACK, WILLIAM TYRELL and TOMMY LEE. 

STEVEN So I’m taking this guy in for disturbing the peace and being drunk in public right, and all of sudden he decides to puke all over my back seat. It was just so disgusting man, like seriously. How am I supposed to drive that car around town now? I kind of wished I had just left him be.  TOMMY LEE Ah man STEVEN that’s nothing bro. I responded to a call about 3 months ago, epileptic seizure or something of that nature. Right as the paramedics arrive on the scene this lady starts puking in my arms. NICOLAS puts his arm around TOMMY LEE’s shoulder as he
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pokes fun at him, smile on his face  NICOLAS  I didn’t even know people could vomit while under seizures. TOMMY LEE shifts his position so he and NICOLAS are having a heart to heart conversation. NICOLAS’ arm falls off of TOMMY LEE’s shoulder as a result.  TOMMY LEE I know right! That’s exactly what I’m saying. I know now though. But all in all though, I gave that nice lady some comfort in her time of need so it’s not a big deal at all. Now you on the other hand STEVEN…that shit’s just funny as fuck.  At this moment the police station door opens and 5 balllike items are slung violently in all directions inside the building. The officers are still trying to figure out what is happening when the items start fulfilling their purposes. One item is a homemade tear gas canister, another is a smoke grenade, one is a poison gas canister and two are live, war grenades designed to maim, kill and neutralize. The 5 officers along with the rest of the people inside the building begin to gag, choke, cough and suffocate before the grenade blows them up.  We cut back to JARVIS and his lesson plans. 

JARVIS Ok so, Chapter 3: Attacking by stratagem; the easiest part. JARVIS pulls the sides of his sports jacket closer together symbolizing his inner confidence.  JARVIS So here are the rules: if our forces are 10 to our enemy’s 1, we surround him. 

We cut to a white male in all blue and a gas mask walking up very quickly to a local police precinct. He pulls out 5 ball like items from his bag, drops the bag and opens the police station double doors. He launches all 4 weapons into the police station, closes the door, picks up his bag and makes a dash for the corner. A black cable van arrives to pick him up. He enters the vehicle and they drive off as the explosions occur.   We cut to a police officer walking out of a coffee shop with a brew in his hand. We see a white man in all black with a Halloween mask on smashing the cop’s squad car up with a spiked baseball bat. The cop, outraged, brandishes his pistol after dropping his coffee on the ground. 


OFFICER DALY
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Freeze bitch! Hands up now! What the fuck do you think you’re doing man? What’s wrong with you man? Are you insane?  ZACHARY JUKEL I didn’t do it…I fucking swear. It was a black dude.  ZACK puts his hands up after dropping the bat. 10 machine gun brandishing African American militants appear from around the corner and gun down OFFICER DALY with immense ease.  ZACK What took you all so long man? I was almost dead! CORNELIUS  He wasn’t going to kill you JUKEL man, you white.  ZACK Yea, bet.  CORNELIUS Let’s lift this sack of shit up and place his ass on top of his squad car, since he cares ‘bout it so much.  Both ZACK and CORNELIUS lift up the dead officer on top of his cruiser. ZACK pours gasoline all over his body and inside the car. CORNELIUS strikes a match and throws it inside the car and the big group disperses before the flames attract more officers and firemen. 

CORNELIUS Ok, this motherfucker’s toast, let’s skedaddle.  We cut back to JARVIS explaining the plans. We cut to an interracial teenage couple sitting on a couch listening to music playing from a white laptop. 

CARTER How was economics today SASHA? SASHA Oh it was just grand (very enthusiastically) Mr. Woods is just so freaking entertaining man. He was telling us of a story about a student he had on the 1st day of school a few years ago. He was an Asian student drinking water out a tall, plastic bottle. Mr. Woods kept noticing the student laughing and blurting out random nonsense right? CARTER Um hum, keep going. SASHA So Mr. Woods walks over to the student’s desk, picks up the bottle, opens it and smells it. He then figured out it was some sort of hard liquor and had to suspend the student. So his moral was water only, but he had to be allowed to smell it first. It was much funnier coming straight from him. I mean, his facial expressions are priceless man. CARTER Yea, that was pretty entertaining. You do a great job SASHA. You really do. SASHA leans in to kiss CARTER on the lips. She puts her hand on his cheek and keeps it there longer than
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necessary which shows how much she does adore him.  SASHA Ok, now your turn boo, tell me a funny story taking place in high school pls.

CARTER looks up and to the right, gathers the appropriate memory and begins.  CARTER Ok, I have one. CARTER sits up straight to better illustrate his short tale.  CARTER My junior year at Salem, there was this new girl from Upstate New York. Her name was BELINDA SOSA. People called her BELLA. Boy was she beautiful, but nevertheless, we never ever spoke. So one day I’m talking to DIAMOND, a good friend of mine, after school and she gives me BELLA’s phone number. This was when I had a boost mobile cell phone and BELLA also had a Nextel. So that allowed us to chirp each other. You know about chirping right? SASHA You mean the walkie talkie feature right? CARTER Yes, exactly. So anyway right, later on that night I decide to engage in premature acts known commonly as prank calling. She has no idea who I am so I chirp her every morning as I walk to the bus stop right. Next thing you know her popular boy friend, TREY NEWTON, chirped me back and said he was hell bent on whooping my ass.

SASHA leans in closer to CARTER’s chin, looks up at him with a smile on her face and asks him SASHA So were you in the least bit afraid?  CARTER Oh yes, he was so popular, I was like ‘maybe I should stop soon.’ SASHA So did you stop then? CARTER Hell to the fuck Nah.  Both SASHA and CARTER share a hearty laugh together. CARTER One day she chirps me and uses my full name, CARTER SIMMONS. SASHA’s eyes widen up in complete surprise and suspense. CARTER I was like, what in the hell? I was so scared man, like how’d she get my whole government name? Turns out when I chirped her, my information was also sent to her. By then it was a little too late but I still decided to change my information for future reference purposes.  CARTER So a few days later I’m in the lunchroom, standing in a long line waiting to buy a lunch. All of a sudden, bleep bleep, my phone starts going off. Somebody was chirping me. The 1st thing
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popping in my mind was ‘hell nah, this girl trying to find me. She’s trying to jam a nigga up man.’ She almost had me too. I figured she was also in the lunchroom somewhere so I secretly pull my phone out and turn that bitch off. Maybe I wasn’t slick enough and she had somebody looking out for me and they saw me. So after school as I’m walking down the stairs to my bus I turn my phone back on and chirp her. We made jokes about how she almost caught me. She called me a punk for being afraid of her boyfriend.  SASHA So where’s the climax and resolution? I wanna finish nibbling on your ears and once it’s out of my system, you can return the favor. Only if that’s cool with you though.  CARTER So here’s the end; I’m in literature class sitting at a table full of women, as it should be. All of a sudden TIFFANY GREEN walks over to me and asks me; ‘are you CARTER SIMMONS?’ and I’m like Noooo. She then says ‘yes you are man!’ then I say ‘yes I am but why.’ She just says ‘oh no reason.’ I pretty much figured out what was going on because I recognized TIFFANY as part of BELLA’s clique. So a few days later I’m posted up eating lunch away from the cafeteria and all of a sudden BOOM! Both TIFFANY and BELLA walk up to me and it so shocked me SASHA. I promise SASHA, I didn’t faint but it was intense. BELLA’s just there smiling all in my face like we’re friends and everything. At that point, the chirp fest was over, my game was up. She had figured me out with the help of a friend. Had TIFFANY never been in my lit. class it probably could’ve gone on much longer too. So before she walked away I screamed out ‘BELLA’, she turns around and I continued ‘did you think I was going to hurt you?’ She shook her head no and called me a pussy. We never spoke after this but if she did see me, I’m sure she laughed to herself. Ok so story over SASHA, my ear’s ready. 

SASHA laughs and continues to nibble on CARTER’s ear. We cut to JARVIS laying plans. 

JARVIS If we know our enemy and know ourselves, we don’t have to fear the result of a hundred battles. If we know ourselves but not our enemy, for every victory gained we will also suffer a defeat. And if we know neither the enemy nor ourselves, we will succumb in every single …motherfucking battle. And that is just not acceptable. 

We cut to a dark room. We only hear muffled voices. The sliding door opens up and the light is turned on. We see 10 officer’s arms tied to the ceiling. They are all standing on top of folding chairs and are gagged and blindfolded. 5 masked figures brandishing Katana swords close the door back and begin attacking the police officers.  The 1st militant begins yelling “AW!” out loud while aiming his Katana at a cop’s belly. He goes into a complete rage, kicking the chair from underneath several officers and gutting the officers like helpless fish. They are extremely helpless at this point. They can’t even see what is coming their way. The remaining 4 militants decide to shoot the
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officers in their heads instead of dooming them to the fate their crazed comrade has in store for them. The psycho militant’s name is DARIUS. 

DARIUS Ok, I’m hungry, who’s up for dinner? SAMMIE I don’t see myself eating until at least 24 hrs. EDDIE Yea, I think I’m going to be sick. DARIUS Enchiladas it is then!

Cut back to JARVIS laying plans. We cut to CHARLEY, a 19 year old college student sitting at his dining room table. He is eating lunch before work and SAM PAGE, his mother’s boyfriend, enters the apartment. They begin talking about how PAGE is suspended from work for 3 days because some one snitched on him. Someone at his job has also been taking the caps off of his rims and he suspects the snitch to be in on it as well.

PAGE heads into the master bedroom to shower up and change. CHARLEY looks up as the door closes, smirks to himself and continues to eat his blueberry waffles. We cut back to JARVIS and his dictation. 

JARVIS  Ok groupies, chapter 5, energy. Controlling a large force uses the same exact principles as controlling a few men; it is merely a question of dividing up their numbers. Fighting with a large army under your command is no different than fighting with a small one. Direct or indirect maneuvers can make sure your host withstands the brunt of the enemy’s attack while remaining unshaken. The direct method in all fighting may be used for joining battle but indirect method will be needed in order to secure victory.  Properly applied indirect tactics are as inexhaustible as heaven and earth. They are as unending as the flow of rivers and streams and like the Sun and Moon they end, only to begin anew. Like the four seasons, they pass away only to return again once more. There are not more than 5 musical notes yet the combination of these 5 give rise to more melodies than can ever be heard. There are not more than 5 base colors; blue, yellow, red, white and black yet in combination they produce more hues than can ever be seen.  There are not more than 5 cardinal tastes; sour, acrid, salt, sweet and bitter yet their combinations yield more flavors than can ever be tasted.  TRAVIS Now you gotta nigga wanting to listen to music, paint some scenery and eat some dinner.  JARVIS TRAVIE Shut    Cho     ass     UP! Anyway nigga, there are not more than 2 attack methods in battle; the direct and the indirect. Yet these 2 combined give rise to an endless series of maneuvers. 

We cut to CHARLEY at his job, a local supermarket where he is
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the resident superstar. His manager Mr. PINSON introduces him to a new employee, JAFAR TATMAN. CHARLEY walks JAFAR around the job and shows him the work areas. An older African American male asks JAFAR to help him pick out a prime watermelon for his mother. JAFAR calls over CHARLEY to help them out. The older man begins to berate and insult CHARLEY for no apparent reason. He tells CHARLEY he could learn from JAFAR and JAFAR tells the customer it is CHARLEY’s 1st day. JAFAR’s a fucking asshole basically. JAFAR and CHARLEY walk away laughing together about the incident. JAFAR tells CHARLEY “not to offend anymore innocent customers!” 

We cut back to JARVIS and chapter 6 of his lesson plans. We cut to TEL AVIV, a Swedish visitor to the United States for a year on vacation. She is babysitting 3 young children as part of her agreement to stay at their parent’s house. They are driving in a car and TEL AVIV pulls into a pizza restaurant. 

She asks them “who wants pizza?” and their eyes widen in an extraordinary fashion and they all exclaim “we do!” in unison. TEL AVIV walks all 3 youngsters into the pizza shop and holds open the door for an older couple walking in behind them. They all take a seat at a table with a window view. TEL AVIV walks up to the counter and orders a large pizza, half bacon and half pepperoni. The cashier FRANK attempts to make conversation around the 3 children, RILEY, JACK and SABRINA.

TEL AVIV blushes a little bit, brushes her hair to the side and responds. She pays for the pizza and drinks and we cut back to JARVIS’ convention of great proportions. He is reviewing chapter 7 of the plans with the troops. He takes a big gulp of his ice cold water and then continues. 

We cut back to TEL AVIV and the 3 munchkins in the pizza restaurant. TEL AVIV asks JACK to stop crushing his cup and JACK looks up at TEL AVIV playfully. TEL AVIV tells JACK to go to the counter and ask for another drinking cup.

JACK walks over to the counter, obtains a new filled up cup of sweet tea and comes back to the table to continue eating. TEL AVIV asks JACK a question about his future and he takes 5.2 seconds to answer. TEL AVIV smiles pretty hard at his truthful comment. She asks JACK to
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explain in greater detail and his answer causes her to blush even harder. 

JACK’s sister SABRINA makes fun of his answer and JACK shoots a scowl at his little sister. TEL AVIV asks them both to calm down and they blame each other. We cut back to JARVIS as he discusses chapter 8. We cut to TEL AVIV sitting in a car with a female friend, TAMMY. They talk about current events in TEL AVIV’s life. TEL AVIV lets TAMMY know she feels lonely and TAMMY helps TEL AVIV construct a written list of qualities she wants in a mate. TEL AVIV sits up energetically in her seat and smiles as she begins. 

We cut back to JARVIS’ meeting. JARVIS takes a seat in a chair on the podium’s left. He speaks for 3 minutes and then stands up once again. JARVIS collapses in his seat and takes a sip of water in high humor. JARVIS rises up once again to begin a new chapter in the discussion; chapter 10. He moves on to chapter 11. JARVIS takes a seat again.

We cut to TEL AVIV sitting down with a district attorney for a note taking session. 

D.A. SPENCER  Pleasure to meet you Ms. TEL AVIV; shall we begin? TEL AVIV Absolutely, just please let me gather my note taking materials.   D.A. SPENCER Ok so, point 1, the consensual encounter; an encounter with a person does not amount to a “seizure” unless a reasonable person would believe, under all the circumstances, he is not free to end the encounter. TEL AVIV writes it down SPENCER Concerning community caretaking activities; you may make a search or detention of a person for the purpose of rendering assistance, provided your actions are entirely unrelated to the detection, investigation, or acquisition of evidence relating to the commission of a crime.   TEL AVIV writes it down SPENCER
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Concerning roadblock or checkpoint vehicle stops; you may not make random, arbitrary stops of automobiles on the public roadways. However, brief, systematic stops at highway roadblocks and checkpoints can be constitutional. TEL AVIV writes it down. We cut to the introduction of the main character, 1st in command, NAPOLI TALIONIS. The phone rings and NAPOLI answers it, it is JARVIS. JARVIS is waiting to discuss the plans in private with NAPOLI. NAPOLI takes a shower first. NAPOLI dresses completely in black, head skull cap and proceeds to his car.  We cut to NAPOLI pulling up in front of his destination. NAPOLI pops his car’s trunk and walks towards it. He lifts up the trunk and pulls a rolled 3piece leaf cigarette out of a pack hidden safely underneath his various costumes. He closes the trunk, sits on it, pulls 2 lighters out and proceeds to light all 3 sides of the “cigarette trifecta”. As NAPOLI inhales, we see in slow motion as he looks down to the left and blows out the 1st exhalation. We cut to a flashback where NAPOLI and JARVIS begin to concoct the same plans they are about to go over.  RIDDICK is another comrade of NAPOLI and JARVIS and he is rushed into a hospital room after being abducted and brutally beaten by some local, corrupt police officers. NAPOLI asks JARVIS how this happened and JARVIS doesn’t have a good answer for NAPOLI. NAPOLI says “we didn’t cause this, but it will forever effect us beginning tonight.” Despite the situation JARVIS and NAPOLI laugh at what is about to happen to society.  NAPOLI and JARVIS exit the vicinity. We cut back to NAPOLI smoking his 3 rolled cigarettes in unison, they are half finished. NAPOLI is now sitting inside of his back seat twisting and turning his head as if to observe someone who isn’t really there. He is tripping without acid.  We cut back to TEL AVIV and SPENCER studying. 

SPENCER You should warn the suspect of his basic constitutional rights before questioning him after a stop requiring any use of force. A person’s mere presence at the scene of the execution of a search warrant does not justify a frisk of that person. Now on to obtaining physical evidence from the body of a suspect not under arrest (“plain touch” seizure); if, while frisking a suspect for weapons, you detect an object
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that is not a weapon, you may seize it without a warrant if your experience and sense of touch make it “immediately apparent” to you the object is contraband or evidence of a crime.  TEL AVIV writes it down. We cut to NAPOLI and his long time girlfriend TEL AVIV from Sweden. NAPOLI walks and sits down near the boarding stations inside an airport. He takes a window seat. He pulls out his notes and continues working on them diligently. A gorgeous woman sits right next to him, on purpose. At 1st all he notices are her legs; at 1st sight they trick him into believing she is an African American lady.  After a minute he looks up and greets her. She just looks at him and opens up her mouth as if she was incapable of responding. She heard him, she just must not have expected him to actually greet her. NAPOLI is more than aware there are in fact several more empty seats but she chose the one to his immediate left. He continues taking down his notes. 5 minutes later he notices she stops reading the People magazine. He takes this as his opportunity to open her in useful conversation. He pulls out a laminated sheet with a picture of a million dollars in $5,000 stacks, nothing but $100 bills. He puts it on her lap and asks her if it looks like a million dollars to her. He asks her the 1st thing coming to her mind when she looks at the picture. Her answer is money. They both laugh together and continue talking for an hour.  He asks her what she would do if she made that much money every day and she smiles as she visualizes her answer. She begins to let NAPOLI in on her ambitions in life. She lets him know she’s been playing soccer for 15years and he makes jokes about soccer. She laughs hopelessly. She lets him know she is 20 years old now. She was born on September 10th, 1989 and he makes her laugh again. NAPOLI asks TEL AVIV what her Zodiac sign is but she is unfamiliar with the term. This leaves NAPOLI dumbfounded and he feels embarrassed he can not properly explain it to her.  This prompts him to ask her what her native language is. She is Swedish. He compliments her brilliant accent and in response she smiles and moves her hair to another region of her head. She informs him she is just traveling the country while off from college. They both are heading to Miami, Florida. NAPOLI asks for her name and she tells him in her sexy accent. This throws NAPOLI back in
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astonishment. He asks her to repeat 3 times with her accent, she does it too. NAPOLI continues making meaningful conversation with TEL AVIV. By this time TEL AVIV is laughing incredibly hard.  NAPOLI asks AVIV if she has ever heard of lucid dreaming and she replies no. NAPOLI laughs and begins to explain it to her. AVIV begins to understand it more now. They both begin to blush together. AVIV moves noticeably closer to NAPOLI and places her hand on his right knee for 5 seconds flat. NAPOLI chuckles and looks down.  AVIV winks her 3rd eye by crinkling her face in a twisted smile and this alerts NAPOLI. He begins to go into detail about the 3rd eye and the chakras. They both begin to wink their 3rd eyes at each other. They burst out into laughter. NAPOLI is smooth and mesmerizing and AVIV is beginning to fall hard for him quickly.  NAPOLI notices many of the airport patrons observing their conversation or at least the physical cues and reactions of it. He has singlehandedly made the most gorgeous single woman in the entire airport laugh very hard, for almost an hour. AVIV is becoming more and more comfortable with his presence. NAPOLI taps her arm as they laugh together. He asks AVIV what she is studying in college. She says criminal law.  NAPOLI asks her about the day of her birth, the 10th, and goes into another routine. He talks about how Lil Wayne’s birthday is the 27th of September and so his 27th birthday is his power year. NAPOLI’s is supposed to be on his 29th and TEL AVIV’s was her 10th. She doesn’t remember her 10th birthday. She smiles wider and wider. They share a few moments of silent communication. They decide to hold each other’s hand as they sit in silence for the next 10minutes. Their flight is now boarding.  They are seated together as they head towards the plane. She takes a nap on NAPOLI’s right shoulder. 2 hrs later the flight lands in Miami, Florida and NAPOLI gently wakes up TEL AVIV. They take a taxi cab to the hotel AVIV has reserved.  She asks him to stay in the room with her so he can guide her around the city. TEL AVIV laughs and gently kisses his neck. NAPOLI shakes and shudders, it just feels so good and he ultimately deserves it. They both laugh as she pulls NAPOLI into the shower with her. 
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9 months pass from this date and TEL AVIV is on her way to Sweden to hang out with family. They both intensely hug up as she readies to depart from America for a few months. NAPOLI looks deeply in her eyes as AVIV caresses her soft soothing hands across NAPOLI’s even softer face. AVIV’s flight is now boarding and they engage in a steamy kiss in slow motion. The scene freezes, turns sepia, and then black and white. We cut back to SPENCER and TEL AVIV talking before she met NAPOLI.  SPENCER Here are some things to keep in mind in deciding whether to give Miranda warnings: A young or inexperienced person with police officers or the criminal law is more likely to feel he has to answer your questions.  A person is more likely to feel “pressure” to answer questions if he is in “hostile” or unfamiliar surroundings. If the person is alone, he is more likely to feel pressure and to be in need of warnings than if he is with friends. A suspect’s friends or relatives never substitute for a lawyer anyways.  The time of the day may affect how much pressure the suspect feels; he is more apt to feel pressure late at night or very early in the morning.  The better practice is not to question a suspect unless he signs a “waiver of rights” form which says he understands his rights and agrees to answer questions without the presence of a lawyer.  When warnings are not necessary; you don’t need to give the Miranda warnings before questioning a person who was merely a witness to a crime or who may know something about a crime but who is not a suspect. You don’t have to give warnings before questioning a suspect who has not been deprived of his freedom in any significant way and who knows he is free to terminate the interview at any time.  TEL AVIV writes it down SPENCER The following is a suggested set of Miranda warnings, if given clearly and carefully enough, will be found adequate by a court: Before we ask you any questions, you must understand what your rights are: You have the right to remain silent. You are not required to say anything to us at any time or to answer any questions. Anything you say can and will be used against you in court. You have the right to talk to a lawyer for advice before we question you and to have him with you during questioning.
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If you cannot afford a lawyer and want one, a lawyer will be provided for you free of charge.  If you want to answer questions now without a lawyer present, you will still have the right to stop answering at any time. You also have the right to stop answering at any time until you talk to a lawyer.  TEL AVIV writes it down SPENCER   Don’t promise a suspect you will help him if he confesses. Don’t suggest to a suspect you will let others harm him unless he confesses. Be careful about lies and trickery. Physical abuse in any form is forbidden.  TEL AVIV writes it down and we cut back to the present moment with NAPOLI back in his car’s back seat smoking his cigarettes.   By this time he is rolling yet another one, the flashback was kind of long. NAPOLI finishes rolling his cigarette and he pulls out his yellow lighter to dry it off a little bit. He puts the cigarette in his mouth, lights it and the smoke serves as the transition effect. We cut to a depiction of FRED HAMPTON’s murder by corrupt police officers.  A news reporter narrates this part of the story. FRED HAMPTON, sleeping in his bed before 5AM and after 2AM while police break into his house and open fire. They claim others inside the house shot 1st yet no bullets support their claims. They label it more of a shoot in than an actual shoot out.  HAMPTON’s bed is soaked in blood and his hand is on his shotgun as he is killed. Once the story concludes we cut back to NAPOLI. Until the cigarette burns out NAPOLI’s inner mind narrates a bunch of useful and applicable quotes to the audience. The cigarette is finished and NAPOLI phones JARVIS. 

NAPOLI heads into the building as an armed security guard opens the door for him. NAPOLI chooses the staircase over the elevator. He reaches the 3rd floor, exits the staircase and knocks on the door where the meeting is being held. NAPOLI awaits patiently as JARVIS opens the door for him. Only NAPOLI and JARVIS are involved in this meeting. NAPOLI and JARVIS walk over to a table full of blueprints and architect illustrations. 

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JARVIS points over to a story board sitting on top of a tripod in the room’s center. NAPOLI flips over the white sheet covering up the storyboard. As NAPOLI unveils the storyboard containing their secretive plan; we cut to the plan’s beginning phase. 2 teams are in motion; NAPOLI is in charge of the 1st blow to a local NYC police station while JARVIS is head of ‘operation hack the dispatch’. NAPOLI is kneeling down in an empty NYC alleyway. He is wearing a bulletproof vest, a black handkerchief over his mouth and a hideous gas mask over his face. 

NAPOLI pulls out a school security walkie talkie and speaks into it. NAPOLI opens up his duffle bag containing 25 smoke grenades and 25 actual war grenades. He also pulls out a wooden board on 4 wheels with 5 grenades embedded inside of it, they are remote controlled grenades. He also pulls out the remote and puts it in his pocket, safeguarded. 

He loads up his 3 tranquilizer guns and walks up the side of the police precinct. He walks to the front door, arms some poison gas canisters, throws them inside the precinct and calmly walks back to his position on the building’s side. 

He kneels down and aims his tranq guns in the same direction the cops investigating the disturbance will exit the building in. At 1st 3 police officers exit the building and all 3 are shot down with tranquilizers 1 after the other. NAPOLI rushes into the building with 5 other armed, disguised assailants and all 5 arm and throw 1 smoke grenade each. They use their thermal energy goggles to shoot as many officers with the darts as possible. 

11 officers in the lobby are down within 2minutes and NAPOLI heads down the hall with his grenades as his team members tie up and drag the sleeping officers out of the building. NAPOLI pulls out his walkie talkie and speaks calmly into it. He calls for the back up vans to take their positions. 

NAPOLI is in the hallway and presses the elevator buttons. He places wooden brigades in between the doors so the elevators can not be called up to other floors. He places 2 grenades into the 1 brigade-less elevator, enters it, summons it to floor 4, robbery homicide and
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exits the elevator. He now runs to the stairwell and arms 5 smoke grenades as well as 5 war grenades inside the stairwell. 

The plan is done and by now all the darted officers are now in the van “safely secured.”  Before NAPOLI exits the building he sets down his “explosive skateboard”. As NAPOLI rushes out of the building and busts the corner, he witnesses the van turning a faraway corner, success is near. NAPOLI heads back to his alleyway hideout and undresses. He puts his change of clothes and shoes on, dons different sun shades and places his bag in some nearby bushes.

He now pulls out the remote, presses the detonate button and puts it back into his pocket. As he is now 2 blocks away, he hears the independent explosions and observes in ‘horror’ as smoke from the grenades and fire rise up into the sky. NAPOLI takes a taxi cab back to his uptown apartment. As he enters his home, he receives a cell phone call from JARVIS. 

JARVIS lets NAPOLI know step 2 is complete as well and step 3 is ready. We cut to the events of “step 2”. Step 2 involves JARVIS and his loyal team stealing access into several police dispatch stations. They disable, neutralize and kidnap those in charge. We cut to NAPOLI walking into his master bedroom’s bathroom, he slightly closes the door and relieves himself. 

He washes his hands, takes a great shower and dries himself off 30minutes later. He pulls some facial make up paint out from underneath the counter and then begins to apply it carefully to his face. After a few minutes of applying the war paint, NAPOLI checks himself out thoroughly in the mirror and heads into his living room. He sets up his video camcorder and positions himself right in front of the glass balcony door for lighting purposes. He pulls out a remote control for the camcorder and hits the record button. 

As the red light appears he “Cranks that Soulja Boy” for 5 seconds to build up his energy and begins his dictation. 



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NAPOLI Ladies and gentlemen; salutations. The government name is Jebediah Bush and I would like to say right off the bat; I am sorry for your loss. It is such a tragedy when our braze public service officers have to die on duty, saving our streets from these dangerous, criminals. What is even more tragic is these brave, souls were gunned down and blown up.  NAPOLI starts to laugh after saying blown up. We cut to clips of 10 different police officers being killed while they had other drivers pulled over for “routine” stops. The 1st cop is pulled over on the side of the road with his speed detector outside the window.    Some militant van passengers shoot a grenade launcher twice into the car. The 2nd cop is walking outside of a burger restaurant and meets 2 hooded figures with semi automatic weapons. They empty the clips on him and blow up his car as well. The 3rd officer is sitting inside his patrol unit when a rock hits his trunk.  As he turns his focus towards the noise he hears a thump on top of his hood. The sound is the feet of a shotgun wielding bad ass, white and noticeably pregnant female. The expecting mother kills the officer in warm blood. The 4th and 5th cops are responding to a call made from a local house. 10 hooded figures beat the cops to death with spiked baseballs and baseball bats.   The next 5 were all sniped on their way to and fro a local precinct. Some officers respond to the sight of there fallen comrades and shoot shots back at the snipers. 1 sniper falls from his window perch. We cut back to NAPOLI’s video.  NAPOLI  They were blown up on their own turf, what a cotton picking shame, right America? Like who would do something like this? I know what you’re thinking; it was me. But no, not entirely, I am merely a participant. I do however possess the authority over these “missions” and I apologize for exercising, my authority. But on a lighter note, here are the facts which represent why…we took such a heinous situation into our hands, and dumped it…into, your, lives.  “Neither slavery nor involuntary servitude, except as a punishment for a crime whereof the party shall have been duly convicted, shall exist within the United States, nor any place subjected to their jurisdiction.” The 13th Amendment of the U.S. Constitution. Why’d it have to be the 13th Amendment, we all know for a fact…
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NAPOLI pulls out a paintball pistol with a silencer and shoots the wall as he says “fact”.  NAPOLI 13 is a highly, unlucky number. But maybe we should cease believing in this phenomena entitled luck for the simple fact NAPOLI walks out of view as he says “for the simple fact”. Right before NAPOLI says his next line he moves back into focus, moves his face closer to the camera  He calmly expresses these next words with the sincerest smile  NAPOLI Luck did nothing to save the majority of the same lives you now mourn or at least acknowledge!!!   NAPOLI now walks back to his original spot and sits on his purple stool, a ‘The Joker’ reference.  NAPOLI And here I thought the 13th Amendment actually abolished slavery, but I was horribly wrong. All it did was create a façade while an even more oppressive system was being created and implemented. It has been proven the CIA import drugs into the black community establishing an illegal drug economy thus criminalizing our precious, community. It’s just not so precious anymore now is it? Then the state placed more police into our communities while passing racial legislation insuring our imprisonment. Now black youth make up less than 15% of the population aged 10 to 17 yet are 26% of all juvenile arrests, 46% in public long-term institutions and 56% of those sent to criminal courts. Slavery never ended in the U.S. It just merely changed its muthafucking appearance! They may no longer be able to snatch us up and put us on the auction block but they can however, charge us with a crime first, find us guilty and then put us on the auction block in this new prison industrial complex. So if you all out there are still wondering why we would commit such inhumane acts against our fellow man, then I am obviously not the sick one.  Laws in 13 states, there’s that number again ya’ll, 13 states bar 510,000 African men from voting due to felony convictions. An additional 950,000 are ineligible to vote because of laws regarding felony offenders in prison, on parole or on probation in 46 states. 13% of African men are disenfranchised. By 2020 the proportion of African men without voting rights will grow to 1/3 and in some southern cities ½. A 1988 study by the FBI concludes Africans make up only 12% of our nation’s drug users while whites make up 80%. Based on Social Problems Vol. 44.No.1, 89% of police departments have paramilitary units. 46% have been trained by an active duty armed force person violating the Posse Comitatus Act of 1878 making it illegal for the military to act as police on U.S. territory or waters.  In New York City between 1990 and 1993, 117 people were killed by the police and an additional 271 were wounded.
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We cut to the camera panning across 117 people standing in a row on the pavement. They are all being shot down in order; many of them use different ways of falling to the ground and dying. The camera shows 271 black people being handcuffed and hit with police batons and gun barrels.  NAPOLI In 1998 the city paid out $40Million to resolve 739 claims and lawsuits accusing police brutality. In California in 1995, 122 people were killed by police and 33 were killed by police use of pepper spray. Cut to 33 blacks being sprayed with pepper spray until they are all dead. A few of them are even shot.  NAPOLI Based on the New York Times and San Francisco Chronicle. In 1995 in California 43% of inmates imprisoned for a third “strike” under the new “Three Strikes” law were African, even though Africans represent only 7% of the total state population and 1/5 of all Californians arrested for felonies. Whites make up 53% of the state population and account for a third of all felony arrests but are less than 25% of the inmates serving prison terms for “third strike” convictions based on the San Francisco Chronicle.  There are now 2,000,265 people in prison and jail in the U.S. California alone has the third largest prison population in the world. 70% of the prison population is either African or Latino.  The San Francisco Chronicle showed in 1998 the largest decline of crime on record was led by an 11% drop in robbery and an 8% drop in homicide. The prison population continues to rise at an alarming rate even though violent crime has been declining. The majority of the prison population is non violent drug offenders. 83% of Federal Crack Defendants are African and 4.1% are white, even though African people account for 38% of all crack users and white people account for 52% based on the U.S. Sentencing Commission, Feb.1995. So where are the white users? They are in treatment centers. Where are the African users? In prison of course.  Now listen closely shit breaks, here’s where it gets mighty interesting: 5 grams of crack cocaine gets the exact same mandatory minimum sentence of five years without parole as 500 grams of powder cocaine and 100 grams of heroin, both of which are more likely to be possessed by a white person.  In California, since 1980, the state legislature has continually decreased funding for its state-run colleges and universities, resulting in 8,000 fewer jobs. In the same period, it created 26,000 new jobs in prisons and incarcerated 112,000 new prisoners based on Ecology of Fear by Mike Davis 1998. All hail Mike Davis bitches.   So as far as facts go…for right now those are my chosen facts I am sharing with you all watching today. If this message is distorted and I personally view said footage…Your ass going down Sir Ma’am. 
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Our 1st official demand: if 90% of the entire country’s prison inmates incarcerated under non violent drug offender charges are not released within 5days of this tape being viewed…more police precincts and privately owned gas stations…are going down. And you all don’t really want to watch all being said actually, go down. But then again, fin again on the 4th of July right America?  NAPOLI makes a real goofy, kiddy facial expression to the audience.  NAPOLI Shit, cue the fireworks right? NAPOLI pulls out the remote control and stops recording. We cut to a clock striking 3AM and 100 black soldiers in flame retardant suits running through an empty grocery store parking lot. 5 of them run up to a nearby gas station and strap multiple bombs to all the pumps and trash cans. They throw rocks through the attendant’s station and toss remote controlled grenades inside.   They also pour gasoline they brought from home all over the gas station area. The rest of the soldiers break into the grocery store to trigger the alarm and take their places. There are militant snipers on the roof just awaiting the heavy police crusade to roll on through. 50 armed soldiers lace many different land mines and proximity mines along with remote controlled grenades and smoke grenades for the incoming police officers. There are also snipers observing through nearby trees and apartment buildings.     The 5 bomb crew members retreat into the store as they detonate their respective bombs. BOOM! The soldiers begin their attack by blowing up the gas station and waiting for the responding units to arrive. The blast reaches all throughout the store and flames are seen hovering right above the soldier’s heads as they duck for cover. The glass windows shatter as well as various forms of destruction. 10minutes later 2 fire trucks and 10 squad cars arrive on scene. TOMMY LEE is the 1st person on the militant side to draw police blood. He uses his trademarked grenade launcher and bazooka to blow holes right through the squad cars. Once this happens the officers realize this is a setup and they are now under heavy attack.   The officers radio in for immediate and heavily armed backup. We cut to militant soldiers entering the dairy coolers, opening the sliding doors used to refill the milk and positioning their different weapons next to milk gallons. TOMMY LEE heads outside of the store. 
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 TOMMY LEE pulls his AK-47 off of his back, swings it around and blasts several rounds into the remaining cop cars. He succeeds in hitting a few officers. TOMMY LEE then retreats back into the store. 10 minutes later 30 more officers arrive at the scene in dismay and disbelief. They hear shots inside the store and proceed into it with extreme caution.   As they tip toe to the back of the store they approach the dairy cooler. The weapons are all in position and as the 1st canister of poison gas is released an officer notices and screams to warn his doomed partners. All officers begin shooting the milk gallons and milk then begins spilling all over the floor.   Several of the militant soldiers are hit by the cop’s bullets and are killed. The remaining militant soldiers wipe out 20 of the officers in the dairy section with their guns, submachine guns, harpoons, cross-bows and other unique weapons. A group of 10 militant soldiers reveal themselves from behind a product display and begin firing oozy rounds at the remaining 10 officers.   A masked figure of the militant soldier squad appears from the opposite side of the store and whistles. He uses his radio to alert the crew it is time to exit. All the soldiers throw down proximity mines and time bombs behind them as they make their exit. We cut to 10 more police squad cars parking in the flaming parking lot. These fresh officers readily and very carefully enter the murder scene once serving as a grocery store.   We cut back to the militant soldiers exiting the store. As they reach the back of the employees only section of the store they blow open the door used for the delivery trucks. They go down the stairs, some hop over the rail and they all make their way to a neighborhood where the vans are waiting for them undisturbed.    As they jump the fence into the neighborhood, they all detonate their bombs. This happens as a new wave of police officers begin to enter the grocery establishment. The majority of them are blown back into walls, their cars and some officers are literally blown limbless.  As the soldiers get into the same vans they arrived in they ask how many hostages the drivers managed to pick up. They all proceed to drive far away from the “drama”. We cut to a few workers of the grocery store arriving to work on time many hours later. They are in utter disbelief and shock when they
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notice the current condition of their place of employment. This is meant to be somewhat comical.   We cut back to NAPOLI readying to record yet another episode of “FUCK YOU AMERICAN OPPRESSORS!!!”  NAPOLI


We have more demands, much more my fellow citizens. And if the world is watching, please support our cause if you can feel where we are aiming from. If you all can see where we came from and are now coming at. If you can touch the victory we are prepared to die for, we have been dying all our stay in America’s Great Glory. If you can hear the voices we hear at night, of the heaven’s shore; or at least if you can smell what the rock is cooking!    We cut to 2:30AM when 5 masked gunmen set remote controlled bombs all around 10 different gas stations after they close and before they open up. As they drive off they detonate the bombs when they are at a safe distance. We cut back to NAPOLI and his “video conference”.  NAPOLI So if anyone out there is questioning our motive for blowing up flammable gas refueling stations. Ah yes, our second point. Henry Ford imagined a world where the drivers of his cars grew their own fuel. It wasn’t even called gasoline; it was labeled Hemp oil I believe. And hemp is only where marijuana originates from. And to think; we rarely hear of Hemp, just marijuana. So with that said; marijuana is to be made legal in 6 days, there you go. Everyday including today, starting yesterday, gas stations are being emptied out of all authorized personnel and then blown into oblivion. You may perceive it as unjust violence and destruction while we simply see it as it is; we are just preparing for our met demands. At the end of the day, any rational person can understand our reasonable requests. The specific circumstance is extreme yes; but so were your actions way beforehand. Enough talk though, for today. Talk is cheap and we have expensive budgets over here shifty shawty. So advice to the fearful and hopeful public, stay away from all gas stations, fill up and go. At any moment they are liable to blow up and you are not targets at all people. Our demands being met will most definitely benefit your lifestyle and life quality forever. If you could in fact see our faces you will understand you won’t see those 50 yrs from now. What we are doing is wrong, our victims are also wrong so, this is meant to help you all. So please America, let us help you. That’s a Uno!!!  NAPOLI now pulls out his remote, ends his recording session and proceeds to pull a table with various objects under a white sheet into the camera’s focus. NAPOLI presses record on the remote once more and resumes explaining. NAPOLI
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Now here is an even juicier segment: in front of us is a table with a nice selection of the weapons of choice. If you are disturbed by this, then what more can I ask for?  NAPOLI pulls off the white sheet unveiling his weapons.  We cut to NAPOLI and his crew running up into a precinct and shooting poison gas canisters in the room along with smoke and war grenades. They run out as the building blows up. 5 seconds later, everybody is literally smoking from the bullets.  We cut to several officers being bombarded in the head and chest area with oozy bullets.  NAPOLI What’s a watermelon to do in a gunfight?’ First of all, the watermelons only initiate our prized conflicts. We cut to a watermelon being launched thru a cop’s rear windshield while two armed gunmen riddle the officer and his partner with oozy bullets from the front. We cut back to NAPOLI  NAPOLI Just imagine, seeing a watermelon launched at your head at 10 or 20mph, that’s simply frightening. Cantaloupes and honeydew are smaller and also effective. We even created a few inventions of our own to better accomplish our God given purpose. First invention, the blade gun. Guns are never outdated but bullets are not found in grocery stores and do in fact run out. V for Vendetta taught us that, thanks Hugo. So what we do here is, buy many different sized knives, remove the handles and load them into our specially crafted magazine clips. I think I speak for most out there when I say a person would prefer being shot by a bullet than by a flying knife. Now that is just sick, good thing we thought about this before our opposition right America? Even though it is widely considered cruel and unusual, punishment is our focus and we prefer to bring our victim’s lives to a real, quick, close; like some judicial cases. I personally believe no human should ever be purposely injured by a weapon created to hunt live whales. What is this, 1997’s Face-Off? Now we are only halfway through with our presentation but if you all have had enough already, just encourage your national leaders to meet our demands. And if you’re thinking about murdering me before our demands are poured onto our country’s streets; just know, things will only get much more violent, those are orders all my friends are given right now. If I die, the explosions will no longer be used with spiritual discretion. Only women and children shall receive pardons but if they attack us, they forfeit said right due to self defense issues. I actually just recovered from an interesting conversation with a friend of mine; we’ll call him Scribble for now. We were overseeing the production of the blade rifles and he expressed his perspective ‘getting shot with one of these is like being harpooned.’ So then I ask Deezy, ‘have you ever heard of a harpoon?’ and he replies “yes”. So then I ask him, ‘what is it used for?’ and he tells me ‘to gut whales’. I feel kind of bad for some of our victims because they are really going through some tough physical events. Can you imagine getting harpooned to a wall as poison gas fills the room?  We cut to 2 men shooting harpoon guns from a speeding car at a police officer giving someone a ticket. We cut back to NAPOLI 
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NAPOLI What makes it even worst is you still see gas masked men running about causing even more havoc and reckless wreckage.  We cut to inside a police building where 2 cops are harpooned to opposite walls, dead. Then the camera sees 2 masked gunmen with harpoons in hand run around unleashing poison gas around the area.  We cut to gunmen placing land mines along the entrance and exit of a police building. The 2 gunmen then run down the street shooting their firearms. As the officers run outside to investigate, they blow up immediately. Cut to NAPOLI  NAPOLI All users of this weapon are required to wear flame retardant suits; their safety is my highest priority. We have one more weapon I forgot to mention on purpose. That is enough for this special public broadcast. Our next weapon leads us into a new phase in these, negotiations; the strict conditions under which we release our police officer hostages. Prisoners of war or publicly acknowledged examples? Your call bitches. NAPOLI pulls out the remote and ends his recording session once again. NAPOLI hops in the shower, gets out and gets dressed again. He proceeds to enter a warehouse where the hostages are being held. 10 of the police officers were tranquilized and contained in a trash can full of cement until it dried them in it. Their arms were also embedded in the cement.  NAPOLI and 2 of his team members load all ten trash canisters with the people in it into a u-haul truck. They drive to a local NYC bridge, open the back of the truck and one henchman records MAURICE on video. NAPOLI puts on a gas mask before stepping into frame. NAPOLI JEBEDIAH BUSH reporting live once again. This time we aim to prove not only are we consciously murdering these sons of bitches you all label police crusaders, we are holding many of the survivors hostage. Now what you are about to witness is a testimony to how passionate we are about our demands people. Bear witness bitches!!! We made cement popsicles out of our precious police officers. Now I know what you are all thinking; why couldn’t these geniuses just hop their silly asses up out of the trash cans right? Because they were effectively tranquilized while all this riff raff was going on. How else were we to prevent them from actually feeling the sludge turn to rock around their bodies? By the time the cement dried they had just woken up from a medically induced coma man. So that’s it, no more talking. Time to show you all how serious we be bout this bidding. 
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NAPOLI and his henchmen open the truck’s back part and begin to roll the officers into the Hudson River in pairs. It is a very tragic scene. The officers fall into the water in slow motion. NAPOLI straightens up his attire and resumes narration to the video camera.  NAPOLI I will admit openly America. What just occurred here was tragic. If I had my face showing right now you would obviously notice the emotion in my face along with the stream of tears running down my cheeks. It was a damn shame our fellow citizens had to die like that. And for what? Some stupid point I attempt to make. I shall not sympathize, that would leave two crying babies and mama didn’t raise no bitch. I will however emphasize with you America. Unfortunately the majority of my empathy goes to the families and contacts of all those African American souls unable to be physically contacted anymore. Meet my demands and these pigs shall cease meeting their definite ends.  NAPOLI begins to pray as the camera shuts off.  NAPOLI Alright boys, this spot is hot and somebody saw 10 bodies sink to the river’s bottom. Let us skedaddle up on out of here. We have more hostages to tend to.  NAPOLI and his crew head on to return the truck and finish out their other plans.  We cut to how the police officers woke up in a fucked up position like that anyway. NAPOLI, SEBASTIAN and CHESTER the JESTER all enter a navy blue van to capture police officers. CHESTER and NAPOLI are the gunmen while SEBASTIAN drives. Their current mission is to scour the roads looking for police officers who have pulled over citizen vehicles. In total they find 10 and hold only 5 captive. We cut to the 1st cop’s perspective.   His name is CHET PATTERSON and he sees somebody speeding profusely. CHET proceeds to pull over ADAM right away. ADAM is scared because he left his license at home. He prays for GOD to help him out. CHET walks out of his patrol car and walks over to ADAM’s car. OFFICER CHET asks ADAM for his license and registration.   We cut to NAPOLI and his crew pulling up behind them in their van. NAPOLI pulls out his tranq gun, sticks his upper body out of the van window and shoots 2 darts in CHET’s neck. ADAM shakes in fear from witnessing what just happened.  CHET falls to the ground as NAPOLI and CHESTER the JESTER exit the van. NAPOLI holds up CHET’s upper half while CHESTER
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gains control of his lower body. NAPOLI apologizes to ADAM for startling him and asks him to leave the scene. ADAM holds a silly, sad facial expression out of shock.   ADAM voices his appreciation for NAPOLI’s intervention due to the fact ADAM didn’t have his license present. NAPOLI jokes that now the police are after him and his crew. NAPOLI tells ADAM bye and ADAM reverses and drives south while NAPOLI and his crew drive north looking for more pre-occupied police officers.    NAPOLI and crew drive back to a hideout to drop the 1st body off. On their way there they see another cop on a routine traffic stop. SEBASTIAN pulls over 10 yards away from the police cruiser. NAPOLI and CHESTER the JESTER put their gas masks back on and exit the vehicle. NAPOLI instructs SEBASTIAN when to pick them back up.   NAPOLI pulls a spiked baseball bat from under the van’s seats and CHESTER arms his pistol with a silencer. NAPOLI and CHESTER exit the van and CHESTER takes the lead role in distracting the police officer while NAPOLI sneaks up behind him. CHESTER runs up to the car’s passenger side and shoots the cop’s partner twice in the head.   After hearing this, NAPOLI increases his velocity and launches at the officer as he pulls his weapon out on CHESTER the JESTER. The camera freezes on an in air NAPOLI for 5 seconds. We cut to a still shot of NAPOLI connecting the spiked baseball bat into the remaining officer’s head. The audience is expected to “ooh” and “aw” during both still shots.   CHESTER screams out with glee. NAPOLI looks at the bloody spikes innocently. SEBASTIAN pulls up next to the soldiers. NAPOLI points his bat at the citizen being pulled over.  NAPOLI You didn’t see anything, we didn’t do anything, and this officer was never even here. You are going to go home, get some pussy, go to sleep; and wake up convinced this was a startling night terror. Don’t make me come after you. NAPOLI slides open the door for CHESTER the JESTER as he pulls the bloody officer into the van arms first.  NAPOLI Naw, I’m just fucking with you man, this nigga had it coming, big time.
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NAPOLI looks at his handy work (the dead cop’s body). CHESTER heads to the 1st cop who died during this transaction and pulls him out of the car and into the group van.  NAPOLI You can tell whoever you want; we paint our van weekly nigga and never drive with license plates. I wish a pig would pull us over. Negro please! What do you thinks’ going to happen next? The man trembles to get his words out.  MANNY You’re most likely going to engage them in armed combat? CHESTER falls out of the van laughing at MANNY’s response. CHESTER What type of fucking response is that? I can’t do this, I can’t do this!!! NAPOLI You got damn right sonny boy. You know why? NAPOLI picks up CHESTER and helps him back in the car.  SEBASTIAN Come on man, we need more pigs.  NAPOLI I’m lil Wayne bitch! Tunechi!!!  NAPOLI slides the door closed as the van drives off. There are 2 coffins in the van and NAPOLI and CHESTER the JESTER place the unconscious cops into a coffin. NAPOLI instructs SEBASTIAN to relocate to the hideout to dump the bodies. NAPOLI, CHESTER and SEBASTIAN drive to the “good spot” to stash the bodies.  They all enter a shady looking facility. NAPOLI questions CHESTER on the cement and CHESTER shows the containers to NAPOLI. NAPOLI rubs his gloved hands together and responds with “excellent!!!” NAPOLI walks over to the corner and arrives back with 2 heavy buckets of wet cement. 2 empty metal trash cans sit in the room’s center and CHESTER wheels the caskets over to them.   CHESTER and SEBASTIAN open the 1st casket and share the weight of hanging his upper body over the trash can while his legs flop on the inside of the can. NAPOLI then pours as much
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cement as needed to cover their bodies’ hip down. NAPOLI looks up at the ceiling, makes an animated face as the camera moves down to see him pull out his silenced pink pistol. NAPOLI shoots the officer in the head. NAPOLI shouts out “Bingo!!!”  NAPOLI asks to leave the vicinity and come back once this cement is concrete. “Then we begin principal photography.” This refers to the scene where the 10 cops get dumped into a NYC River. We cut back to SPENCER and TEL AVIV’s law conversation. TEL AVIV continues writing down these detailed notes.  SPENCER Part II of preservation of evidence AVIV; evidence seeming to be favorable to a suspect and the suspect would be unable to replace should not be destroyed by law enforcement officers. Next chapter, last one actually: entrapment; a person “entrapped” into committing a crime is immune from prosecution for that crime. Entrapment occurs when law officers or their agents implant in an innocent man’s mind the disposition to commit a crime and then induce him to commit the crime so they can prosecute him. Merely giving a person who is already predisposed to commit a crime the opportunity to do so is not entrapment.  Well that is all for today Ms. TEL AVIV. I hope your thirst for criminal law knowledge and police procedures are temporarily satisfied.  TEL AVIV Oh yes, I am so ready to build a case study around this information. I’ll email it to you once it’s entirely completed. Ok? SPENCER Sounds grand! Have a great remainder of the afternoon.  TEL AVIV stands up and exits the building. We cut to NAPOLI and TEL AVIV walking out of a restaurant months before she returned to Sweden. As they pass a nearby river they notice a white girl fall into the river. NAPOLI selflessly jumps into the river and rescues the child along with help from her father. News crews begin to arrive on the scene. NAPOLI refuses to comment and he and TEL AVIV catch a ride back to her apartment.

We cut to a recap of every single police officer who was murdered or at least injured throughout the film. The montage will be accompanied by Lupe Fiasco’s “Little Weapon” from his “The Cool” album. We cut to different scenes of all the minor characters in the film, (SAM, CHARLIE, JAFAR, SASHA, CARTER and a few others) watching the news. The news anchors discuss the
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recent events where over 100 hundred police officers were murdered over the last week. All the characters display their individual concerns. The news then reports supposedly a terrorist has sent in a videotape possibly containing unreachable demands. NAPOLI’s 1st video begins to play on the television screens. We hear “ladies and gentlemen, salutations.” And we  FADE TO BLACK
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Monday, September 9, 2019



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