“THE INTUITION SAGA VOLUME ONE: IN

3:30PM EST MONDAY APRIL 17TH, 2017

TRANSCRIBED ON THURSDAY MAY 18TH, 2017

“THE INTUITION SAGA VOLUME ONE: IN”

THE INTRODUCTION

BLADA! BLADA! SO UH, CHAD HARRIS HERE, RECORDING UNDER THE PEN NAME CHAD HARRIS OR CHAD FILMS. WHAT YOU ARE ABOUT TO LISTEN TO, OR READ, OR SEE, OR OBSERVE IS THE FIRST FILM SCRIPT OR OFFICIAL NOVEL TO THE FIRST OFFICIAL SHORT FILM I HAVE EVER TRANSLATED TO THE SCREEN. IT IS TITLED “IN” AND IT STANDS FOR “INTUITION”.

    VOLUME ONE IS TITLED “IN. VOLUME TWO WOULD BE TITLED “INTU”. EVERY FURTHER VOLUME SPELLS OUT THE WORD INTUITION. VOLUME THREE WOULD BE TITLED “INTUIT”. VOLUME FOUR COMPLETES THE FIRST GO ROUND AS IT IS TITLED “INTUITION”. THEN COMES THE SPIN OFF.

    NOW HERE IS THE SPIN OFF. THE FIRST INTUITION SHORT FILM AND SEQUEL WERE STARRING ME KA EL ANDERSON, TROY CASEY, ISAIAH NOBLE AND MYSELF. ISAIAH NOBLE WAS NOT IN TOWN TO FILM “INTU”. ME KA EL PLAYED MY INTUITION. IT IS A BUDDY COMEDY.

NOW, IT IS FUNNY BECAUSE THE SHORT FILM VERSION WAS FILMED ON OCTOBER 22ND, 2011 AND IT WAS RELEASED ON APRIL 2ND, 2012. NOW FIVE YEARS LATER, HERE I AM COMING BACK TO WRITE THE SHORT STORY AND FILM VERSION OF THE FIRST OFFICIAL SHORT FILM BY CHAD FILMS.  

NOW I AM GOING BACK TO THE FIRST CHAD FILM IDEAS AND KNOCKING THEM OUT AFTER WRITING UNDER THE DAVID CRICHTON PEN NAME FOR 2 YEARS CONSECUTIVELY. I CHOSE TO GIVE THE FIRST EVER CHAD FILM IDEAS TO THE LADY WHOM I WANT TO ENGAGE; SHADALE JOHNSON OF ST. LOUIS, MISSOURI.

SO, SHE IS AN ACTRESS, SO WHY WOULDN’T AN ACTRESS WANT TO DATE AN AUTHOR OR WRITER WHO IS MADLY ENTHUSIASTIC ABOUT HER AND HER CAREER? WHY WOULDN’T AN ACTRESS WANT TO DATE SOMEONE WHO CARES ENOUGH TO OFFER HIS GIFTS TO HER OWN PERSONAL EFFORTS? I JUST WANT TO WRITE OSCAR WINNING CALIBER FILMS FOR HER AND UH DO WHATEVER SHE WANTS TO DO.

CHAPTER ONE: IT RUMBLES

MY NAME IS ANASTACIA GRACIAS. I, LIKE EVERY OTHER PERSON ON THE PLANET, HAVE AN INTUITION. MY INTUITION HOWEVER CONTROLS MY ACTIONS. MY INTUITION IS IN SYNC WITH MY ACTIONS. MY INTUITON ITSELF IS SYNCRHONIZED WITH MY ACTIONS. BECAUSE MY INTUITION IS SO SYNCHRONIZED WITH MY ACTIONS, TO ME, I CAN SEE MY INTUITION IN THE FORM OF A PERSON. AN IMAGINARY BEST FRIEND IS ALWAYS THERE WITH ME. I CALL HER “AJA” OR “INNI”.

SHE IS MY INNER INTUITION AND SO I CALL HER “INNI”. SHE CALLS ME “AJA”, “STACIA”, “ANASTACIA”. BASICALLY, MY LIFE IS JUST WEIRD BECAUSE I DO NOT SEE THINGS BEFORE THEY HAPPEN. I JUST FEEL THE EMOTIONS OF IT HAPPENING BEFORE IT GETS TO ME AND THEN I KNOW SOMETHING IS ABOUT TO HIT ME. IT WAS CRAZY. IT WAS JUST SO CRAZY. SO LET ME TELL YOU A FUNNY STORY.

CHAPTER TWO:

I AM IN THE BANK. WE WALK INTO THE BANK. THE WINDOWS ARE CLEAN. THERE IS A GUARD STANDING ON THE LEFT. HE TIPS OFF HIS HAT TO US. “LADIES” HE GREETS US WITH. “HEYYYYY.” WE WALK IN THERE. THE LINE IS ABOUT EIGHT PEOPLE DEEP. THERE IS A ROPE AND THE ROPE IS CONNECTED TO A FEW OTHER ROPES. SO NOW YOU HAVE THAT LINE AND THE EIGHT PEOPLE IN THE LINE BETWEEN THESE ROPES.

I AM THE LAST PERSON IN THERE AND INNI IS RIGHT THERE BY MY SIDE. NO ONE CAN SEE HER BECAUSE SHE IS WEARING HER INVISIBLE SUIT TODAY. SO I AM LOOKING AROUND AND UM I AM LOOKING AT THE CHANDELIERS ON THE CEILING OF THE BANK. IT IS A BEAUTIFUL BANK, THERE IS PROBABLY A LOT OF MONEY IN HERE. MORE CURRENCY THAN LIVE SECURITY I CAN SEE.

THIS IS WHEN I BEGIN TO TINGLE ALL OF A SUDDEN. I CAN SEE INNI BEGINNING TO GLOW. THEN SHE STARTS TO SNAP ON ME.

CHAPTER THREE: AJA WE MUST LEAVE LIKE RIGHT NOW

YO, WHAT ARE YOU DOING? YO, WE GOTTA GO, YO IT IS GOONS COMING IN HERE WITH GUNS. WE GOT THREE MINUTES. OH MY GOODNESS. YO I AM TALKING THREE UZI GUNS, WE GOTTA GET OUT OF HERE HUN FOR IT IS ABOUT TO GET AS STICKY AS HONEY BUNS. TWO ASSAULT RIFLES. OH MY GOODNESS. THE COPS ARE NOT GOING TO MAKE IT, THEY ARE NOT GOING TO BE ABLE TO MAKE IT IN TIME. THEY ARE ALREADY HANDLING THIS OTHER SITUATION DOWN ON  I-95. THE COPS ARE WAY ON THE OTHER SIDE OF TOWN.

WE HAVE TO GET OUT OF HERE. AYE-AYE, ARE YOU LISTENING TO ME ANASTACIA? THERE ARE OTHER BANKS IN TOWN ANASTACIA, THERE ARE OTHER BANKS IN TOWN. YO, YO, YO, YO, WE GOTTA GO. WHAT ARE YOU DOING? YO, DO YOU NOT FEEL THAT? YO, IT IS IN THE AIR. THEY ARE ON THE WAY. THEY ARE IN ROUTE. THEY ALREADY HAVE THEIR MASKS ON. THEY ARE IN ROUTE. YO ANASTACIA, WE GOTTA GO “FASHO”.

CHAPTER FOUR: LEAVING THE SCENE BEFORE THE SCENE WAS EVEN MADE

I HAD TO BREATHE, AFTER THAT IT WAS LIKE, I DID NOT WANT TO MAKE A SCENE. HOWEVER, A SCENE WAS ALREADY ABOUT TO BE MADE. I ALREADY KNEW A SCENE WAS ABOUT TO BE MADE. SO WE HAD TO GET OUT OF THE SCENE WITHOUT MAKING A SCENE, BEFORE THE SCENE WAS MADE. THEREFORE WE WOULD NOT BE ACCUSED OF HAVING SOMETHING TO DO WITH THIS SCENE AS IF WE WERE CASING THE PLACE. IT IS GOING TO APPEAR AS IF WE WERE CASING THE PLACE. BUT WE GOTTA GO.

SO, WE WALK OUT. THE GUARD UH TELLS US “BYE” AND THEN RE TIPS HIS HAT BACK OFF TO US. I REALLY WISH HE WOULD JUST PULL OUT HIS STRAP AND PREPARE TO GET TO BUSTIN’ BUT UH, I CAN NOT EVEN TELL HIM. SO I TELL HIM “HAVE A GOOD DAY. KEEP YOUR EYES ON THE LEFT.” HE LOOKS AT ME FUNNY. HE CAUGHT IT. I HOPE THEY DON’T CATCH HIM SLIPPING. HAT TIPPING.

AFTER THAT, WE LEFT THE BANK AND BUSTED THE CORNER. WE RETURNED TO THE PARKING GARAGE AROUND THE CORNER FROM THE BANK. WE GET IN THE CAR. BY THE TIME WE DRIVE OUT AND WE ARE BACK ON THE INTERSTATE, IT IS JUST CRAZY. WE JUST SEE COP CARS FLYING, IN THE SAME EXACT DIRECTION AS THE BANK. WHERE WE JUST HAVE LEFT FROM.

TITLE SEQUENCE: INTUITION; A FEMINIST STORY

CHAPTER FIVE: I KNOW WHAT IT IS NOW

THAT WAS THE MOST INCREDIBLE THING I HAVE EVER EXPERIENCED. I WAS OH MY GOSH INNI, LOOK WHAT YOU DO FOR ME. ALL BECAUSE I LISTENED TO YOU. I COULD NOT STOP THINKING ABOUT THAT ALL NIGHT. IT WAS ON THE NEWS ALL NIGHT. IT WAS A TRAGIC EVENT. THE BANK LOST A LOT OF MONEY, YOU KNOW? IT WAS CRAZY. IT WAS JUST CRAZY. OH MY GOODNESS, LIKE CAN YOU IMAGINE? CAN YOU IMAGINE? OH MY GOSH, IT WAS JUST RIDICULOUS. HOW DO YOU EXPLAIN THIS? HOW DO YOU EXPLAIN THAT?

YOU KNOW BUT LUCKILY FOR ME, I AM CONNECTED TO MY INTUITION SO I ALREADY KNOW WHAT IT IS. I KNOW WHAT IT IS. IT IS LIKE THAT EVERY DAY NOW. SHE LOOKS OUT FOR ME. FOR EXAMPLE: I WAS JOLLY RIFFING IN THE CHAIR AND MY PHONE WAS ABOUT TO FALL OUT OF MY POCKET.

BEFORE THAT, SHE TOLD ME “YO STACIA, PLEASE SLIDE YOUR PHONE IN YOUR POCKET MORE SECURELY, THANK YOU.” YOU KNOW SO THEN I DID IT. NO PROBLEM AT ALL. THANK YOU INNI. WANT ANOTHER EXAMPLE?

SO WE ARE DRIVING ON THE INTERSTATE, AFTER THE BANK ROBBERY WE WERE ALMOST HELD HOSTAGE BY, WAS ENDING OR COMING TO A RESOLUTION. WE ARE ON THE INTERSTATE, AND AS WE TURN OFF ON EXIT 22, WE HAVE TO GO UP THIS CIRCULAR INCLINE.

SO WE ARE DOING THAT, LIKE A TRACK, AND WE GET TO A MORE COMMERCIAL AREA WITH COMMERCIAL PROPERTIES, STORES AND WHAT NOT. I AM APPROACHING A STOP SIGN. I STOP AT THE STOP SIGN. I AM ABOUT TO TURN. THEN INNI WAS LIKE “WAIT”. THEN CAME A CAR NOT STOPPING AT THEIR RESPECTIVE STOP SIGN.

HAD I NOT STAYED PARKED AT THE STOP SIGN, THIS OTHER CAR WOULD HAVE COLLIDED RIGHT INTO US. I JUST DAPPED HER UP AND SAID “BET THAT UP INNI. VANILLA SHAKES FOR EVERYBODY ON ME.” SO?

CHAPTER SIX: AT THIS POINT

SO AT THIS POINT, IT IS REALLY JUST HARD TO EXPLAIN.IT IS JUST,  WHEN A GUY COMES UP TO ME, AND STARTS SPITTING THAT OH SO SMOOTH, MACADELIC, DOPE FRESH, PERSONAL BUSINESS, I SEE THE TRUTH. YOU KNOW, WHEN THEY START SPITTING GAME? HA! INNI TELLS ME EVERYTHING THEY ARE ALL ABOUT. YOU KNOW AND I CAN IMMEDIATELY FEEL ALL OF THE EMOTION THEY ARE GOING TO BRING TO ME IN THE FUTURE.

I CAN FEEL IT. THAT IS WHAT INNI DOES. SHE FEELS IT FOR ME. INNI CAN FEEL THE EMOTIONS OF THE SITUATIONS TO COME. SHE KNOWS WHAT IS ABOUT TO HAPPEN. SHE CAN SENSE THE EMOTIONS OF THE IMPENDING EVENTS. INNI KNOWS IT IS ABOUT TO HAPPEN TO US SO SHE SENDS ME AN EMOTION THAT CORRESPONDS WITH THE IMPENDING TRAUMA.

SHE COMMUNICATES WITH ME BY SENDING ME THE EXACT EMOTION OF A SITUATION THAT IS ABOUT TO HAPPEN. SHE STRAIGHT UP JUST TELLS ME. IT IS THRU THAT EMOTION, SHE JUST EXPLAINS IT. YOU KNOW, AT THIS POINT IT IS JUST THE FUNNIEST THING.

SO NOW I HAVE THIS NEW GUY ALL UP IN MY FACE. HE IS NOW TELLING ME JUST HOW PRETTY I AM OR BEAUTIFUL AND HOW MUCH HE WANTS ME, HOW FLY I AM, AND ALL OF THAT KIND OF MESS. NOW INNI IS RIGHT THERE SCREAMING AT ME.

CHAPTER SEVEN: INNI SEES BEHIND THE LIES

“ LIES, LIES, ALL LIES! GIRL, DO YOU NOT KNOW HE HAS TWO BABY MOMMAS? HE IS GOING TO LEAVE YOU, HE DOES NOT EVEN WANT TO BE WITH YOU FOR A SECOND DATE. HE JUST WANTS TO SMASH AND DASH. THERE WILL BE NO THRASHING TONIGHT. ANY AND EVERY TONIGHT. NO WE CAN NOT LET HIM THRASH. NOT FOR ANY AMOUNT OF CASH. NO SMASH, JUST DASH. SKIRT! YOU KNOW?”

CHAPTER EIGHT: SO AT THAT POINT

SO AT THAT POINT, I TOOK IT FOR WHAT IT WAS. AND IT WAS THE TRUTH, I ALREADY KNEW WHAT IT WAS. I ALREADY KNEW WHAT HE WAS UP TO. I KNOW WHAT YOU ARE UP TO SUCKER, YOU BUSTER. NO GAMES FOR LAMES OVER HERE. CHUMPY! OH UH YOU THOUGHT IT WAS A GAME!?

YOU THOUGHT YOU WERE JUST GOING TO WALK UP TO ME AND TELL ME LIES? YOU WORK FOR THE C.I.A OR SOMETHING? YOU THOUGHT I WAS PLAYING? YOU THOUGHT IT WAS FUN TO COME UP TO ME AND TELL ME WHAT YOU ARE GOING TO DO AND HOW MUCH YOU WANT TO BE WITH ME, UNTIL WE BOTH DIE? LIES! LIES! ALL LIES! NOTHING BUT SUCH!

SO WITH A LIFE LIKE THAT, I MEAN LIKE, EVERYTHING IS BEAUTIFUL. I SEE IT COMING. WE SEE IT COMING. I HAVE A REAL STRONG CONNECTION TO MY INTUITION. WHEN SOMETHING DESTRUCTIVE IS COMING TOWARDS ME, I ALREADY KNOW WHAT TO DO. STAY IN TUNE. THEN COMES INNI’S TUNE. “YO, WE GOTTA GO, FIVE OH IS ABOUT TO KICK DOWN THE DOE. YOU KNOW? SO.”

SO, WITH A LIFE LIKE THAT, I MEAN LIKE, WHAT IS NOT TO LOVE ABOUT IT? I ENJOY IT ALL. IT IS JUST AN AMAZING THING. JUST IMAGINE WALKING INTO YOUR NEAREST AND DEAREST SUBWAY AND YOU ARE ABOUT TO ORDER A MELT. YOU ARE ABOUT TO ORDER A TUNA FLAT BREAD TOASTED MELT WITH WHITE CHEESE, MAYO, TOMATO, SALT AND VINEGAR. MAYBE A LITTLE LETTUCE.

IMAGINE INNI THEN WHISPERING IN YOUR EAR “YO, THE LETTUCE IS BAD, AND SO IS THE TUNA, WITH EVEN WORST CUSTOMER SERVICE. SO LET US GET OUT OF HERE?” YOU ARE GOOD THEN YOU FEEL ME. YOU JUST DODGED A TUNA BULLET. YOU JUST DODGED SOME ROTTEN TUNA, ROTTING IN YOUR ROTTING BELLY YOU KNOW? (LAUGHS.)

SAVE ME THE DRAMA OF UNCOOKED FISH. SAVE ME THE TRAUMA FROM AN UNCOOKED DISH. YOU FEEL ME? THAT IS HOW I TALK TO INNI. LIKE TELL ME, PLEASE. AYE PLEASE TELL ME WHEN WE ARE IN DANGER. IF I GO, THEN YOU GOTTA GO TOO, BUT YOU ALREADY KNEW. SO JUST SEND ME THE EMOTION IN ADVANCE BEW. JUST A FEW. YOU FEEL ME? LIFE IS CRAZY. IT IS JUST CRAZY.

I GET THE EMOTION OF SOMETHING BEFORE THAT SITUATION HAPPENS. I JUST MIGHT BE LAYING ON MY BED, READING NICCOLO MACHIAVELLIS’S “THE PRINCE”, THEN AFTER THAT I START TO SHAKE, I GET THIS FEELING. AFTER THIS INNI JUST STARTS UP AGAIN.

CHAPTER NINE: INNI HAS BUILT IN CALLER IDENTIFICATION

“YO, YO, YO, YO, YO. YOUR PHONE IS ON THE CHARGER BUT IT IS ABOUT TO START RINGING. IN 30 SECONDS. IT IS GOING TO BE YOUR EX BOYFRIEND. HE IS TRYING TO GET BACK WITH YOU. HE IS GOING TO TELL YOU HE WAS SORRY AND HE SHOULD HAVE NOT CHEATED ON YOU.

IT WAS A HORRIBLE DECISION BUT SHE IS STILL LYING ABOUT WHAT REALLY HAPPENED. SHE JUST DOES NOT WANT TO SEE HIM HAPPY. SHE WANTED TO SEE YOU ALL BREAK UP. HE MIGHT MOVE BACK TO FINLAND. HE IS JUST GOING TO KEEP BEGGING YOU TO TAKE HIM BACK.

LET ME TELL YOU RIGHT NOW, IF YOU DO THAT, YOU GON’ GET SLAPPED. I AM NOT GOING TO SLAP YOU, BUT YOU ARE GON’ GET SLAPPED. (RING, RING, BRING)”

CHAPTER TEN: AS THE SPINE FACES THE CEILING

SO THEN I GO TO THE PHONE AS IT STARTS TO RING. I GO TO THE PHONE, I AM OFF THE BED NOW. I PUT MACHIAVELLI’S “THE PRINCE” PAGE DOWN ON THE BED WITH THE BOOK SPLIT AND THE LITERARY SPINE FACING THE CEILING. I WALK OVER TO THE PHONE. IT IS GLOWING. I SEE  RED AND  GREEN. WHICHEVER ONE I SWIPE, IS WHICHEVER ONE I MEAN.

THIS GUY, ON THE OTHER LINE, MIGHT BE FINE, BUT HE IS NOT AHEAD OF THE TIMES. HE IS BEHIND THE TIMES. HE IS NOT AHEAD OF THE GRIND, THEREFORE HE WILL NEVER BE AHEAD OF MY MIND. OR AHEAD OF MY GRIND, HE WILL NEVER BE THE BREAD OF MY FIND OR MORE.

HE WILL NEVER BE THE ONE WHOM I ADORE, BECAUSE I HAVE ADORED HIM BEFORE. I SHOULD HAVE LISTENED TO MY INTUITION THE FIRST TIME SHE DEPLORED HIS ACTIVITIES  WAY BEFORE. WHICH WERE RECKLESSLY ADMITTED TO ME AND UH HE REFUSES TO ADMIT THIS TO ME. FOR THIS FACT ALONE, HE REFUSES TO SEE ALL I AM INDEED.

AND IN ME, I AM IN NEED, OF A TRUE FRIEND. A WHAT DOES IT DO MAN? AN UH I MISS YOU EVERY DAY. WHERE DID ALL OF THE I MISS YOU’S GO? DID YOU NOT MISS ME SO? I WANTED TO KNOW HOW MUCH I WAS MISSED WHILE I WAS STILL ALIVE BRO.

I JUST WAS NOT WITH THE GUY WHO TO ME WAS THE PRIZE BECAUSE TO HIM I WAS THE PRIZE. I CAN SEE IT IN HIS EYES AND EVERYTIME HE CRIES, WHEN I NEVER WITNESS IT. MY INTUITION CLEVERLY MENTIONS IT. HE IS YEARNING FOR ME. HE IS BURNING FOR ME.

BUT THIS GUY WHO IS CALLING, HE IS JUST YEARNING TO SEE. IF I AM TURNING INDEED, INTO SOMEONE WHOM HE COULD NEVER USE. WELL BOO, NO STALLING, THE VOICEMAIL HAS JUST HIT YOU, LIKE THE BUTTON SNOOZE. OOZE, YOU LOSE. YOU STOLE MY CHRISTMAS LIKE THE GRINCH. AND NOW I LOOK AT YOU, AS JUST ANOTHER WHO.

CHAPTER ELEVEN: UNITED ARTISTS AT THE FALLS CINEMA

I MEAN LIKE, IT IS AWESOME, GOING TO THE MOVIES WITH YOUR INTUITION. IMAGINE, YOU ARE WALKING UP TO THE CINEMAS AND IT SAYS “UNITED ARTISTS AT THE FALLS” AND YOU WALK UP TO THE SIDE OR FRONT OF THE BUILDING AND AT THIS POINT, YOU WALK UP TO A POSTER AND YOUR INTUITION JUST STARTS SPAZZING; JUST SNAPPING.

CHAPTER TWELVE: BUY ME A TICKET TOO!

“LIKE YO! WE GOTTA GO SEE THIS MOVIE! IT IS GONNA BE THE BOMB. THE OPENING SEQUENCE IS LIKE YO! AND YOU GON’ BE LIKE WHAT? AND I’M GONNA BE LIKE YES. AND WE GON BE LIKE HOOVER DAM. WE GOTTA GO SEE THIS MOVIE ANASTACIA WHAT ARE YOU DOING? I MEAN LIKE YO! OH MY GOODNESS. OH MY GOODNESS.

THE LEADING ACTOR IS SO BEAUTIFUL AND GORGEOUS. THE LEADING ACTRESS IS SO FUNNY. THE SUPPORTING CHARACTERS ARE HILARIOUS. EVERY OTHER SCENE IS GOING TO HAVE US JUST CRACKING UP. THIS IS GOING TO BE ONE OF YOUR FAVORITE MOVIES OF ALL TIME.

YOU ARE GOING TO LOVE THE ACTION SCENES. YOU ARE GOING TO LOVE THE COMEDY SCENES. YOU ARE GOING TO LOVE THE ROMANCE SCENES. YOU ARE GOING TO LOVE ALMOST EVERY THING ABOUT THIS MOVIE! ANASTACIA WHAT ARE YOU DOING? BUY ME A TICKET TOO! POPCORN?”

CHAPTER THIRTEEN: CAN I GET AN AMEN?

SO AT THIS POINT I WAS LIKE, HUM? WHY NOT? AYE. WHY NOT? HEY. LOOK AT WHAT BEING SPIRITUALLY FLY BROUGHT. AYE. AYE. THANK THE LORD. CAN I GET AN AMEN? GOD IS GOOD, ALL OF THE TIME. GOD IS SO GOOD TO HAVE GIVEN US AN INTUITION, TO SHOW US THRU THE HOOD, AND IT LEADS US, TO THE GOOD, OR THE GREATER. GOD IS SO GOOD TO HAVE GIVEN US AN INTUITION TO STAY AWAY FROM THEH HATERS. EVEN IN DECATUR.

GOD IS SO GOOD TO HAVE GIVEN US AN INTUITION TO STAY AWAY FROM THE PLAYERS. GOD IS SO GOOD TO HAVE GIVEN US AN INTUITION TO STAY AWAY FROM THE PLAYERS WHO, REFUSE TO ADMIT THEY ARE NOT MONOGAMOUS DATERS. THEY ARE CONSPICUOUS TRAITORS. AND BEING CONSPICUOUS BY NATURE,THEY GET TREATED AS SUCH. SO SEE YOU LATER, AS MUCH AS POSSIBLE, YOU ILLOGICAL ALLIGATOR, AFTERWHILE SILLY CHILD.

CHAPTER FOUR-TEEN: BRIGHT WITH STARS

SO AT THIS POINT, WE GO SEE THE MOVIE AND IT WAS JUST AWESOME. IT WAS EVERYTHING SHE SAID IT WAS. I FELT IT. I COULD FEEL IT AND AS WE WALKED OUT OF THE BUILDING, THE SKY WAS BRIGHTLY LITTERED WITH THE EVER PRESENT STARS AND THE SKY WAS REVEALING OF A FEELING SO HEALING INSIDE OF THESE DEALINGS.

EMOTIONALLY I AM NOT SQUEALING. EMOTIONALLY, I AM DEALING, WITH THE CONSEQUENCES OF LISTENING TO MY INTUITION. NOT TO MENTION, I STOP A SENTENCE, TO HIT A RHYME, JUST TO FIND, THE INNER  PEACE OF MIND, IN THE MIND, I HAVE TO LET IT SHINE.

I GOTTA, GOTTA, GOTTA HAVE MY OWN MIND. WHEN I HAVE MY OWN MIND,  AMD IT IS CONNECTED TO MY SOUL, IN MY OWN TIME, THEN MY INTUITION IS ON A ROLL. MY INTUITION NEVER GOES ON A STROLL WITHOUT ME. MY INTUITION WILL NEVER DOUBT ME. MY INTUITION WILL ONLY SHOUT ME, THE ANSWERS. AS I STAY AWAY FROM PRIVATE DANCERS AND MAN SLURS. HA!

CHAPTER FIFTH-TEEN: THE BEST THING ABOUT INNI

SO, THE BEST THING ABOUT MY INTUITION IS JUST, SHE IS ALWAYS THERE WITH ME. HAVE YOU EVER BEEN IN A CAR WITH SOMEONE? YOU KNOW, YOU WERE HANGING OUT, AND THEN ALL OF A SUDDEN YOU JUST GET THIS FEELING! AND THEN EVERYTHING CHANGES AND IT IS CREEPY. YOU ARE SOMEWHERE IN THE WOODS. YOU DO NOT KNOW WHAT IS GOING ON.

ALL OF A SUDDEN, THE VIBE HAS CHANGED. THERE IS A WHOLE NEW VIBE NOW IN THE AIR. THERE ARE ALWAYS VIBES IN THE AIR. THE VIBES ARE ALWAYS THERE. THE ART OF PEEPING THE VIBE, CAN BE TAUGHT. THE URGE TO FIGHT THE VIBE, CAN BE FOUGHT. THE VIBE ITSELF, THEN CAN BE CAUGHT. CAUGHT, IS WHAT IT OUGHT TO BE. FOR THAT IS WHY IT WAS BROUGHT TO ME, OR BROUGHT FOR YOU.

IT WAS BROUGHT FOR WE. IT WAS BROUGHT FOR TWO, REASONS. ONE, TO WARN YOU OF THE IMPENDING DOOM IN THE UPCOMING SEASONS OF CHANGE. AS THE TIDES SLANG RAIN, IT SHALL BE THE PAIN GANG. SO, IMAGINE, ALRIGHT; INNI AND I ARE IN THE CAR, AND WE ARE SITTING WITH TWO FRIENDS.

SAMMY OR SAMANTHA AND DAVIS. SAMMY AND DAVIS ARE ON THE HOOD OF THE CAR. WE ARE ON AN EMBANKMENT OF SOME SORT. WE ARE JUST SITTING THERE. INNI AND I ARE IN THE BACK SEAT. SAMMY AND DAVIS ARE SITTING ON THE HOOD OF THE CAR. EVERYTHING IS COOL, EVERYTHING IS FINE. I AM JUST STARING AT THE SKY. I AM JUST STARING THRU THE WINDOW. THEN INNI BEGINS SNAPPING.

CHAPTER SIXTHTEEN: YO! WE GOTTA GO! AGAIN! BUT THIS TIME…

“YO! ANASTACIA! WE GOTTA GO. THERE IS A COYOTE. THERE IS MORE THAN ONE COYOTE, DIRECTLY APPROACHING OUR PATH. WE MUST LEAVE NOW. FOR WE DO NOT WANT TO CRY. LIONS, TIGERS AND BEARS, OH MY.”

CHAPTER SEVEN-TEEN: NOT EVEN WILY

RIGHT AT THAT MOMENT, MY EYES GOT A SENSE OF INCREDIBLE BULGING. MY EYES WERE INCREDIBLY BULGING. I WAS LIKE, OH, WE NEVER LIKED COYOTES; NOT EVEN WILY. “NOT EVEN WILY” INNI CONFIRMS. SO AT THAT POINT, I QUICKLY STICK MY HEAD OUT OF THE WINDOW WHILE LEANING MY LEFT SHOULDER BLADE ON THE RIM OF WHERE THE WINDOW PANE IS IN THE CAR. I NOW BEGIN TO YELL AT SAMMY AND DAVIS.

“SAMMY, DAVIS, WE GOTTA GO. WE GOTTA GO RIGHT NOW. YO! YO! YO! YO! AYE. PIST! PIST! AYE! WE GOTTA GO RIGHT NOW. REMEMBER THAT THING, THAT HAPPENED ONE TIME, AT THE BANK? YES, IT IS HAPPENING AGAIN. YO! WE GOTTA GO. RIGHT NOW.

    THEN THEY RUN, AND THEY GET IN THE CAR. THEY ALREADY KNOW. ANASTACIA HAS TOLD THEM SO MANY STORIES OF HER FOLLOWING HER INTUITION AND IT HAS LED HER TO NOTHING BUT BLISS. IMAGINE ALL OF THE WALKS YOU HAVE TAKEN, BECAUSE YOUR INTUITION TOLD YOU TO WALK SOMEWHERE.

THEN YOU FOUND SOME MONEY OR YOU FOUND EXACTLY WHAT YOU NEEDED TO FIND, AT THAT MOMENT, FOR YOU TO CONTINUE TO FINDING WHAT YOU NEEDED TO FIND IN THOSE NEXT MOMENTS. I MEAN LIKE; WHAT HAPPENS WHEN EVERYTIME YOU LISTEN TO YOUR INTUITION, GOOD THINGS HAPPEN. WHAT HAPPENS WHEN EVERYTIME YOU LISTEN TO YOUR INTUITION, YOUR BOND WITH YOUR INTUITION ONLY GETS STRONGER?

I MEAN, WHAT HAPPENS WHEN YOU STOP CARING ABOUT APPEARING TO BE SCARED? YOU ACTUALLY JUST PEEPED THE VIBES, IN THE AIR BECAUSE THE VIBES TRANSFER THERE. YOU CAN ONLY SEE THEM  IF YOU PERCEIVE THEM, IF YOU CARE. SO, DO YOU CARE? OR DO YOU STARE? MY INTUITION BRIGHTENS UP LIKE A FLARE. WHEREVER SHE POINTS, I HAVE TO GO THERE. I DO NOT KNOW WHY.

I JUST KNOW, I WAS NOT FEELING THIS WAY, A MOMENT AGO. THUS MEANS I MUST GO. THUS BRINGS, A SERENE FLOW. ON THIS WALK, I MAY HAVE FOUND SOME DOUGH. OR I MIGHT HAVE FOUND SOME FOOD FOR THOUGHT, AS IN BREAD HEAD SOME MO’.

CHAPTER EIGHT-TEEN: AFTER WE LEFT

SO, I MEAN LIKE, AT THAT POINT, SAMMY AND DAVIS GET INTO THE CAR. WE ALL DRIVE AWAY. THE NEXT MORNING, I WOKE UP. THERE WAS A STORY ON THE NEWS. A CAR FULL OF PEOPLE HAD GOTTEN CHASED BY COYOTES OR OTHER WILD ANIMALS, IN THE SAME SPOT, AFTER WE LEFT.

THAT JUST SCARED ME. I WAS LIKE OH MY GOODNESS. I GOTTA KEEP THIS GIRL ON MY SIDE. YOU KNOW, INNI? I GOTTA KEEP INNI ON MY SIDE. WHAT IS BETTER THAN KNOWING, WHEN DANGER IS SHOWING? IN YOUR IMMEDIATE VICINITY. YOU START ROWING, TO THE OTHER SIDE OF THE SHORE, JUST GOING.

ROW, ROW YOUR BOAT, GENTLY TOWARDS SERENITY. IF YOU MARRY YOUR ENERGY, TO THE COSMIC, VARYING DIVINITY, YOUR LIFE WILL BECOME A BEAUTIFUL BALL OF IMAGERY, INDUCING ENERGY. IMAGINE SYNERGY, ON THE HIGHEST LEVEL. IMAGINE THE SYNERGY AT THE TOP ROOM UNDER THE LADDER. IMAGINE YOUR INTUITION FILLING UP LIKE A BLADDER. OR AWARENESS OF YOUR BLADDER, FOR THAT MATTER.

WHY CHATTER AND ARGUE, WITH YOUR INTUITION, WHEN SHE ONLY WANTS TO INVOLVE YOU? WHEN SHE ONLY WANTS TO REVOLVE YOU. YOUR INTUITION ONLY WANTS TO EVOLVE YOU. WHY NOT LISTEN TO YOUR INTUITION? FOR YOU ARE BOTH PARTNERS ON THIS SAME MISSION.

YOU HAVE A MISSION, A DESTINY. AND YOUR INTUITION SHOULD GET THE BEST OF THEE SITUATIONS YOU FIND YOURSELF PLACED IN. YOUR INTUITION KNOWS WHAT YOU ARE FACING. YOUR INTUITION KNOWS WHAT YOU ARE ABOUT TO BE FACING. YOUR INTUITION KNOWS WHAT YOU ARE ABOUT TO BE FACING.

YOUR INTUITION WILL SEND YOU THIS IN THE FORM OF EMOTION. SCURRYING YOUR FACE AND IT IS OK THEN BECAUSE WITH YOUR HEALTH, YOUR INTUITION IS NEVER PLAYING. SO PLEASE TRY TO LISTEN TO WHATEVER YOUR INTUITION IS FOREVER SAYING. THE ONLY PROPER HOMAGE TO YOUR INTUITION, FOR STAYING.

CHAPTER NINE-TEEN: A STOP LIGHT

SO AT THIS POINT, IT IS KIND OF LIKE JUST IMAGINE WALKING UP OR DOWN THE STREET. YOU ARE APPROACHING A STOP LIGHT. YOU ARE WALKING ON THE SIDEWALK, GETTING READY TO TURN LEFT. AS YOU ARE GETTING READY TO TURN LEFT, YOU ARE ON THE SIDEWALK BUT RIGHT NEXT TO YOU ON THE LEFT, IS A TURNING LANE. THE DIFFERENT CARS BEGIN TURNING IN THEIR RESPECTIVE DIRECTIONS.

AS YOU ARE WALKING UP TO THE CURB, TO ACTUALLY FOLLOW IT, YOU GET THIS WEIRD FEELING. AS YOU SEE AN EIGHT-TEEN WHEELING SEMI TRUCK GETTING READY TO PULL UP TO THE CURB, BEGINNING TO TURN IN YOUR DIRECTION. ONCE YOU REALIZE THE SEMI TRUCK, IS TURNING, YOUR INTUITION STARTS SPAZZING OR SNAPPING.

CHAPTER TWENTY: YO! WALK UP THE HILL BRA!  

YO! YO! YO! OH MY GOODNESS. WALK UP ON THE HILL BRA. WALK UP ON THE HILL BRA. THIS DRIVER, HAS BEEN DRIVING TOO LONG; AND OR NOT LONG ENOUGH. ALRIGHT? BECAUSE THEM TIRES, ARE ABOUT TO PLAY BASKETBALL, ON THE CURB. THEY ARE ABOUT TO DRIBBLE. THIS DRIVER IS ABOUT TO DRIBBLE A FEW OF THE EIGHT-TEEN WHEELS RIGHT UP ON THE CURB BRA. GET UP ON THIS HILL BRA AND JUST WATCH IT HAPPEN BRA. BUT NOT TO US.

CHAPTER TWENTY ONE: AS THE TIRES DRIBBLE

AS I STAND UP ON THE HILL, I WATCH THE, I WATCH THE DU-DU-DU-DUSHE, OF THE SEMI TRUCK’S TIRES. IT WAS THE SCARIEST THING I HAD SEEN. IT WAS THE SCARIEST THING I HAVE SAW MYSELF ALMOST EXPERIENCE. IT WAS JUST SO WIERD TO WATCH THE EIGHT-TEEN WHEELER’S TIRES JUST DU-DU-DU-DUSHE ALL OVER THE CURB FOR ABOUT THREE TO FIVE SECONDS.

MY BRAIN IMMEDIATELY WENT INTO THE EMOTION OF HOW IT WOULD HAVE FELT, ACTUALLY BEING RIGHT THERE IN THE SAME SPOT. WE WERE THE CLOSEST PERSON, TO THAT SPOT WHERE THOSE TIRES WERE ACTUALLY BOUNCING ALL AROUND WHERE I WAS HEADED..

OH MY GOODNESS, I DO NOT EVEN KNOW HOW I WOULD HAVE CROSSOVERED OUT OF THAT DRIVE. I WOULD HAVE TO NOT BREAK AN ANKLE. I WOULD HAVE TO HAVE DONE SOME “AND ONE SPIDERMAN” STUFF. IT JUST WOULD HAVE BEEN, IT JUST WOULD HAVE BEEN CRAZY. SO, IT IS JUST CRAZY, AT THIS POINT.

SO I AM STANDING ON THE CURB IN MY HEAD. I KNEW THAT IS WHERE I WOULD HAVE JUST BEEN HAD SOMETHING NOT CAUSED A CHANGE IN MY COURSE. FROM THE PERSPECTIVE OF WHERE I WAS STANDING, ON THIS HILL; IT IS SO STILL, SO PEACEFUL, AND CHILLED, IT JUST SEALED THE DEAL. THIS INTUITION THING IS JUST TOO REAL. I WAS LIKE OH MY GOODNESS! INNI, THAT WAS ALMOST ME. THAT WAS ALMOST US. “THAT WAS ALMOST GOODBYE CRUEL WORLD. THAT IS WHAT THAT WAS” INNI RESPONDED.

GRACI